ROBERTO BRIVIO "SALVE EROI DELLA LUNA / GLASS" (1969)

Best known as a member of I Gufi (The Owls) - an Italian musical and comedy ensamble - actor, singer, comedian and writer Roberto Brivio was born in Milan in February 1938.

Son of a man from the Brianza area and a Friulian woman, he dedicated himself to theatre after graduating with famous actress Esperia Sperani, from the Accademia dei Filodrammatici, in 1959.

At the beginning of the '60s he joined the Compagnia dei ragazzi dell'Angelicum and started producing a series of 7" singles for children and prose LPs for La Voce del Padrone and Ricordi.

Among these we'd like to remember at least his Italian adaption of Nigel Kneale's "The Quatermass Xperiment" (L'astronave del Dottor Quatermass), which will hopefully be the subject of another post here on Stereo Candies in the future.

In 1962 he opened the Teatro del Corso in Milan, which he successfully managed for a few years.

Around the same time he started writing for the Italian TV and radio, and also produced his first comedy / chanson records for the Columbia label under the alias Roberto Bi. These included some early examples of his gallows humor, which he will expand later on during his experience with I Gufi.



In 1964, the meeting with Lino Patruno and Nanni Svampa, later joined by Gianni Magni, gave rise to the aforementioned musical group. In those years, I Gufi helped to create a form of musical cabaret in Italy, often using the Milanese dialect in their productions.

Their debut album, entitled "Milano canta" (Milan Sings), was released by Columbia in February 1965, and was the first in an astounding series of twelve successful LPs which were produced by the group in just four years.

During his tenure with I Gufi, Brivio was credited for writing about 50% of the band's repertoire in collaboration with his musical partner Ario Albertarelli.

Until their disbandment in 1969, the group regularly performed in theatres throughout the country and also arrived on television, managing to pass through the tight stranglehold of censorship thanks to their use of dialect.

Shortly after, along with Augusto Mazzotti, formerly one of his classmates at the Accademia dei Filodrammatici, Brivio debuted at the Teatro Nuovo in Milan with a new play entitled "Fantascienza" (Science Fiction).

Following this effort, a selections of songs probably excerpted from the play were collected on the first Brivio solo album, the aptly entitled "13 Canzoni di Fantascienza" (13 Science Fiction Songs). The album was released by Columbia in early summer 1969 and will be a succulent subject for another post quite soon.

During the same year, a 7" single entitled "Salve eroi della Luna" (Hello Heroes of the Moon) b/w "Glass" was also released, and is covered in this post.

Roberto Brivio on stage in a recent picture

Here's the track list for this 7" single:

01. Salve eroi della Luna (3:00)
02. Glass (3:28)

All tracks were remastered from the original vinyl in February 2019 and are available in FLAC lossless format, along with scans of the original item.

Please have a look at the comments for the download link.



"Salve eroi della Luna / Glass" was released by Columbia / EMI in Italy with cat. number SCMQ 7155 / 3C 006-17196 M sometime in 1969. The matrix numbers in the dead wax area are marked "2-10-69", so I easily guess that the single was published towards the end of the year.

The records comes in a cover that superimpose a picture of Buzz Aldrin, Neil Alden Armstrong and Michael Collins - the crew of the successful Apollo 11 mission that brought the first men on the Moon in July 1969 - on a drawing by cartoonist Ferruccio Alessandri that originally adorned the cover of "13 Canzoni di Fantascienza", the album released by Brivio a few months later. On the back we don't find much of interest, just a small coupon that can be cut out to be used inside juke-boxes.



As both the cover and title imply, "Salve eroi della Luna" (Hello Heroes of the Moon) is a ballad that solemnly celebrates the conquest of the Moon. The song was written by Brivio along with his long-time collaborator Ario Albertarelli and is a tribute to the "...fearless, brave, immortal, generous..." men who accomplished such extraordinary feat.

On Side B we find "Glass", a more hilarious track that had already appeared months earlier on Brivio's debut album. This is another Brivio-Albertarelli composition that focuses on the effects of lack of gravity during space flight, comparing them to the signs and symptoms of drunkenness. The lyrics make an elegant and effective use of all sort of onomatopoeias and Brivio's prowess as an actor clearly emerges. The last line "Non c'è serietà senza gravità." (There is no seriousness without gravity.) effectively summarises the concept expressed in the song.

The following clips offer a complete preview of the remastered single, enjoy!

More information about Roberto Brivio and I Gufi is available here:

https://it.wikipedia.org/wiki/Roberto_Brivio

https://it.wikiquote.org/wiki/Roberto_Brivio

http://robertobrivio.blogspot.com/

https://www.facebook.com/robertobrivio17

https://www.discogs.com/artist/1437210-Roberto-Brivio

https://www.lettera43.it/it/articoli/cultura-e-spettacolo/2015/12/25/roberto-brivio-vi-racconto-cosa-vuol-dire-essere-gufi/158495/

https://www.massaiemoderne.com/1967-linsalata-del-vampiro-roberto-brivio/

https://www.avvenire.it/agora/pagine/brivio-

https://www.youtube.com/watch?v=OQjy-0xcqbk

https://www.youtube.com/watch?v=VJ_ZZwMP4KA

https://en.wikipedia.org/wiki/I_Gufi

https://it.wikipedia.org/wiki/I_Gufi

https://it.wikiquote.org/wiki/I_Gufi

https://www.discogs.com/artist/1324498-I-Gufi

https://www.youtube.com/user/igufi/videos

http://verso-la-stratosfera.blogspot.com/2016/11/i-gufi.html

If you have any other useful information about Roberto Brivio and "Salve eroi della Luna / Glass", or if you spot any dead links, please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

PANCY LAU (劉鳳屏) "快回頭望一望" (EP, 1969)

Pancy Lau (Lau Fung Ping, 劉鳳屏 or 刘鳳屏, also referred to as Liu Feng Ping) was born sometimes in the late 40s / early 50s in a family of musicians; her father Lau Bak Lok (劉伯樂) - also known as Tin Ngai (天涯) - was a well-known Cantonese Opera Star. He was her very first music teacher, and guided her through the entertainment world.

Her career started when she was around 8 or 9 years old singing Cantonese Opera. As a teenager she transitioned to singing songs she enjoyed: Pop music. During the early 60s she participated two times in the Sing Tao Daily Singing Competition in Hong Kong with no significant results.

In 1965 at last she won the Mandarin section of the 6th edition of the contest with the song "三年" (Three Years). Upon winning the competition, she became a resident singer at the prestigious Golden Crown Night Club (金冠).

Television Broadcasts Limited (電視廣播有限公司), commonly known as TVB, commenced broadcasting in Hong Kong on 19 November 1967. Pancy Lau was one of the first musical artists who participated in the popular show "歡樂今宵" (Enjoy Yourself Tonight), which was the longest running variety show in Hong Kong's television history.

In 1968 Fung Hang Records released her debut album entitled "My Heart Is Beating - 我的心蹦蹦跳". The album was the first in a long series of recordings that continued for more than fifteen years.



Following two EPs entitled "水長流" ("Water Flows Long") and "山前山後百花开" ("When the Flowers Bloom On Mount Qian Shan"), Pancy Lau's second album was finally published in late 1969. "快回頭望一望" ("Quickly Take a Look Behind"), contained twelve songs, including the eight tracks already released on her previous EPs.

The record was a huge success with no less than four editions published - and sometimes also bootlegged - by different labels in Hong Kong, Malaysia, Singapore and Taiwan. At the time, a lot of popular music was coming from being featured on television or were theme songs from television drama series. The album, however, did not need any push from the media to become an instant hit, as it contained enough fresh material to estabilish itself as a modern classic.

For a more detailed biography of Pancy Lau, please have a look at this other post of mine: "The Very Best of Pancy Lau Volume 1 [1968-70]".

Pancy Lau, circa 1969

Here's the track list for this 7" EP:

01. 快回頭望一望 (2:55)
02. 姑娘的心意 (2:01)
03. 不如不嫁了 (2:17)
04. 爲甚麽 (2:04)

All tracks were remastered from the original vinyl in January 2019 and are available in FLAC lossless format, along with scans of the original item.

Please have a look at the comments for the download link.



As I already wrote many times, it's not easy to come up with an exact chronology of Pancy Lau's early output, but since the first owner of the EP that is on offer in this post has written a purchase date on the back cover (27-12-69), I can confirm that this particular record was released in 1969, probably towards the end of the year.

All the songs on this EP were included on Pancy's second album "快回頭望一望" ("Quickly Take a Look Behind"), and two of them were also previously included on her debut single back in 1968... Since this EP was released on Life Records (麗風) in Malaysia, it is my opinion that it was aimed at the local market to help popularize Pancy Lau outside of Hong Kong during the 'Mandarin Pop phase' of her career.

I can't tell if this is a rare release but, as a matter of fact, her singles released on Life Records (麗風) have been more difficult to obtain, at least for me, than those on Fung Hang Records Co. (風行). As a trivia, please allow me to tell you that I purchased this single from a Mexican record shop and it is probably one of the records in my collection that has travelled the most!

All music on this release is played by 太陽神樂隊 (The Apollo), an Hong Kong prolific studio band that reached a cult status in the region during the late 60s / early 70s. Their name has probably been borrowed from the Teisco / Kawai manufactured Apollo model guitar from that time period. They recorded a lot of instrumental albums, a few of them for New Wave Record Co. (新風) - which are also on offer here on Stereo Candies - and most of them for Life Records (麗風); they were also featured as a backing band on countless releases by popular singers like Teresa Teng (鄧麗君), Frances Yip (葉麗儀), Stella Chee(奚秀蘭), etc.



Oscar Young (楊道火) and Joseph Koo (顧嘉煇) are both credited as arrangers, respectively for tracks 1 and 4 (Young), and 2 and 3 (Koo).

Young was a key-figure in the Hong Kong music scene of the late 60s / early 70s; with his arrangements he also had the merit to introduce and popularise Classical music to the younger generations. He arranged for many famous bands and singers and released countless albums with his prolific and versatile projects The Apollo (太陽神樂隊) and Oscar Orchestra (奧斯卡管弦樂團).

Koo was also a famous composer and arranger, and one of the most respected authors of Cantopop songs; he is considered the Godfather of Hong Kong pop music. During his career he has created more than 1.200 original compositions and many of them have become classics, including various themes of popular TV series.

Here's what I discovered searching information about the songs included on this EP:

"快回頭望一望" (Quickly Take a Look Behind), which was also Pancy Lau's second album title track, is one of her signature songs written by 湮亭 (Yan Ting). During the years it has been covered many times and has become a karaoke classic.

"姑娘的心意" (A Maiden's Heart) is an adaptation, with lyrics by 湮亭 (Yan Ting), of a song imported from Japan. The original was popularized by 美空ひばり (Misora Hibari) and the Mandarin version was also successfully performed by 張露 (Chang Loo).

"不如不嫁了" (How About I Don't Get Married) seems to be an original composition and I wasn't able to find any other information about it, except the name of its authors: lyrics by 馮美葆 (Feng Mei Bao) and music by 曹嘈 (Cao Cao).

I guess that "為甚麽" (Why?) is probably another original composition written by 湮亭 (Yan Ting), sorry but I wasn't able to find any other relevant information about it....

The following clips offer a complete preview of the remastered EP, enjoy!

More information about Pancy Lau is available here:

http://en.wikipedia.org/wiki/Music_of_Hong_Kong

http://home.ied.edu.hk/~hkpop/music/hkpophistory.html

http://www.goldenage.hk/b5/ga/ga_article.php?article_id=1079

http://www.flickr.com/photos/dk_gilbert/sets/72157608139056712/

http://paper.wenweipo.com/2007/04/21/EN0704210024.htm

http://blog.roodo.com/muzikland/archives/2578425.html

http://baike.baidu.com/view/5637119.htm

https://www.youtube.com/watch?v=A-uAR5gOXNg

https://www.youtube.com/watch?v=HtPVPIy6v6s

http://robokon.orgfree.com/5080/5080_LauFungPing.htm

http://rateyourmusic.com/artist/%E5%8A%89%E9%B3%B3%E5%B1%8F

http://hk.apple.nextmedia.com/entertainment/art/20130325/18206169

http://sleepless.chiba78.com/articles-1640.html

I'm currently trying to compile a Pancy Lau exhaustive discography, my work-in-progress is available here.

All my posts dedicated to Pancy Lau are available here.

PIETRO ATTILA AND THE WARLOCKS "PIETRO AND THE WARLOCKS" (1969)

You say it's your birthday
It's my birthday too, yeah
They say it's your birthday
We're gonna have a good time
I'm glad it's your birthday
Happy birthday to you

Yes we're going to a party party
Yes we're going to a party party
Yes we're going to a party party

I would like you to dance - Birthday!
Take a cha-cha-cha-chance - Birthday!
I would like you to dance - Birthday!
Dance!

I would like you to dance - Birthday!
Take a cha-cha-cha-chance - Birthday!
I would like you to dance - Birthday!
Dance!

You say it's your birthday
It's my birthday too, yeah
You say it's your birthday
We're gonna have a good time
I'm glad it's your birthday
Happy birthday to you

Happy birthday!

[from the lyrics of "Happy Birthday"]



It's time for another post concerning a record included in the impressive ECHK / S-ECHK series published in Southeast Asia by EMI / Columbia starting from the second half of the '60s up to the early '70s.

Unfortunately I wasn't able to discover much information about Pietro Attila and The Warlocks, but as usual I'd like to share them with you. Most of the details were sourced from the description of this clip on YouTube and the booklet included in the "Steam Kodok" CD compilation... Here we go:

Pietro D'Angelo was born in Sicily, Italy, sometime during the late '30s. He spent the first part of his life in his native island mastering the tenor saxophone; here he got married and also had a daughter. During the late '50s / early '60s he moved to Hong Kong and made his base there.

Later he adopted the stage name Pietro Attila and his charactheristic 'bald dome and pony tail' look. He came to Singapore in 1968 with a foreign edition of The Warlocks and they did gigs in local clubs.



At some point, the group went back home but Pietro stayed and formed a new edition of The Warlocks comprising mainly Asian musicians. They got signed by EMI and in 1969 they released an album, "Something In the Air", and an untitled EP of exclusive tracks, which is the subject of this post. A single with two cuts taken from the album ("Something In the Air" and "Dizzy") was also released the same year.

Subsequently, the group changed again. In the early '70s, drummer Lim Wee Guan performed with Pietro and The Warlocks for six months at the New Latin Quarter nightspot in the Akasaka district in Tokyo after The Quests split. Thereafter he moved on with them to Guam for another six months.

The following Lim Wee Guan quote is taken from the book "Call It Shanty! - The Story of The Quests" written by Henry Chua:

«After The Quests broke up, I was still playing with other groups. I was with this group called The Black and White Rainbow which had Robert Suriya on lead. After that, they joined up with Pietro and The Warlocks and then they asked me whether I could travel and I thought why not, I had nothing on so I joined Pietro with Robert and Colin Rozario. So we went to Japan, we stayed there for about six months, then from there we went to Guam. After that, I found the music was getting too commercial and I wasn't getting anywhere so I came back. The group later broke up and Pietro left Singapore. I think it was about 1973.»

A rare picture of Pietro Attila and The Warlocks in the early '70s, from left: Robert Suriya, Colin Rozario, Pietro, Lim Wee Guan and Steve Bala

Here's the track list for this 7" EP:

01. Happy Birthday (2:47)
02. This Guy Is In Love With You (3:17)
03. Beggin' (2:47)
04. Turn Around, Look at Me (3:11)

All tracks were remastered from the original vinyl in November 2018 and are available in FLAC lossless format, along with scans of the original item.

Please have a look at the comments section for the download link.



The "Pietro and The Warlocks" EP was released by EMI /Columbia in Singapore sometime in 1969 with cat. number ECHK 625. I assume that this was the group's debut release and that their album entitled "Something In the Air" - which will be the subject of another post in the future - was released months later. Of course it could also be the other way round, who knows...

Also, in this post I always refer to the group as Pietro Attila and The Warlocks, as they are credited on their LP release, but their name is spelled as the simpler Pietro and The Warlocks both on this EP and their "Something In the Air b/w Dizzy" 7" single excerpted from the album...

Anyway, the EP comes in a colourful cover that portrays the group in stylish suits and medallions on the front, while on the back an emphasys is given on Pietro, who seems to hold the band in his hand giving the impression of a caring but authoritarian leader.



Side 1 opens with a wild rendition of The Beatles' "Birthday" which is re-entitled as the more popular "Happy Birthday". The original version, which is no less full of energy, was recorded in September 1968 and was included on the remarkable White Album a few months later.

A cover of the popular Bacharach-David song "This Guy Is In Love With You" follows. The original was recorded by trumpeter Herb Alpert in early 1968. In this recording Pietro Attila's English pronunciation is not exactly perfect and clearly shows some limits...

On Side 2 we find "Beggin'", a song which was made popular by The Four Seasons in 1967 - my favourite cut from the EP - and the slow-paced "Turn Around, Look at Me", a song written by Jerry Capeheart, which since its first version recorded by Glen Campbell in 1961 was also covered by The Lettermen, the Bee Gees and The Vogues.

The following clips offer a complete preview of the remastered EP, enjoy!

More information about Pietro Attila and The Warlocks is available here:

https://www.discogs.com/artist/2344028-Pietro-Attila-amp-The-Warlocks

https://rateyourmusic.com/artist/pietro_attila_and_the_warlocks

If you have any other useful information about Pietro Attila and The Warlocks or if you spot any dead links, please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

DICK HYMAN "STROBO / LAY, LADY, LAY" (1969)

Richard "Dick" Hyman (born March 8, 1927, New York City) is an American jazz pianist/keyboardist and composer, best known for his versatility with jazz piano styles. Over a 50-year career, he has functioned as a pianist, organist, arranger, music director, and, increasingly, as a composer. His versatility in all of these areas has resulted in well over 100 albums recorded under his own name and many more in support of other artists. [1]

Hyman's career is pretty intimidating in its achievements and scope. He has scored, arranged and/or performend for Broadway, movies, television and live radio, and he's recorded in every format, from 78s to CD-ROMs. He's got a whole gamut of music genres covered, from Jazz and Blues to Classical to Pop and Electronic Psychedelia. Hyman is exceptionally renowned as a professional musician, and was inducted into the Jazz Hall of Fame in 1995. His articulate and wry anecdotes, commentary on the business, and techniques of making music have been published along with sheet music in a series of books. [2]

Beginning in the mid-1950s he started recording with his own name for MGM. His cover of "Moritat", on harpsichord with his trio, sold over a million copies in 1956 and was the most successful recording of the tune until Bobby Darin did it as "Mack the Knife". He was the musical director of The Arthur Godfrey Show from 1958 to 1961. He was an early staple of Enoch Light's Command label, for which he recorded light classical, swinging harpsichord, funky organ, and "now sound" combo albums. He also demonstrated his continuing interest in new keyboard instruments, releasing two of the earliest Moog albums. Hyman has stayed in demand as much as any musician around, working for TV, scoring film soundtracks for Woody Allen, and, more recently, as a jazz pianist and organist. [3]

Hyman is best remembered among the Spage Age Bachelor Pad Music aficionados for his 1963 album with Mary Mayo - who provided otherworldy wordless vocals - the aptly entitled "Moon Gas" masterpiece, which was already covered here on Stereo Candies both in mono and stereo. His seminal album "Moog - The Electric Eclectics of Dick Hyman", recorded in late 1968 using mainly the Moog Modular, was also covered by yours truly here and its follow-up "The Age of Electronicus" is also going to be featured very soon.

In the meantime it's time to take care about another precious little gem...

Sources:

[1] from Wikipedia

[2] from the introduction to an interview with Dick Hyman conducted by Michael David Toth, published on Cool and Strange Music!, issue #7, 1997

[3] from Space Age Pop Music

Dick Hyman, 1969

Here's the track list for this 7" single:

01. Strobo (2:58)
02. Lay, Lady, Lay (3:16)

Both were remastered in June 2018 and are available in FLAC lossless format, along with scans of the original release.

As usual, please have a look at the comments for the download links.



Bearing catalogue number 45-4136, the "Strobo / Lay, Lady Lay" promotional 7" single was released by Command-ABC Records sometime around mid 1969, probably in July or August. Housed in a company sleeve, the record offers exclusive mono tracks that are not featured on the two aforementioned Hyman's Moog albums released the same year.

Available in two different versions, a commonly found item coming with the usual black and white promo labels and a rarer variant with coloured center labels, the single was not commercially released, at least as far as I know.

The choice of using exclusive promotional tracks seems odd to me... Maybe these pieces were intended for a cancelled release, who knows... Anyway, I'm glad that they exist in some form and I can't help to wonder if other material recorded around the same time was shelved and/or lost.

This article informs us that, after taking part to the realization of "Moog - The Electric Eclectics of Dick Hyman" and "The Age of Electronicus", Walter Sear did not program the Moog Modular used on these new recordings, he just rented out the synthesizer to Hyman.

I managed to create pseudo-stereo versions of these pieces, they will be available soon as bonus tracks to my remaster of "The Age of Electronicus".



So, on Side A we find "Strobo", an original number written by Hyman himself. In a similar fashion to the hit "The Minotaur", recorded in late 1968, the track is built on the top of a dense rhythm played by the Maestro Rhythm Unit, a primitive drum machine, probably feeded through an Echoplex.

Some people describe this music as Proto-Techno and others even catch a glimpse of Drum 'n' Bass in its skittering beat. Whatever your view on the subject is, "Strobo" was pretty ahead of its time and its shrill keyboard lines undeniably have a futuristic charm.

The flipside presents an instrumental version of "Lay, Lady, Lay", a song written by Bob Dylan originally released months earlier on his "Nashville Skyline" album. Hyman replaces the original vocal lines with the Moog, giving the song a very strong imprint. The acoustic rhythm section in the background adds to the value of this cover, creating a somewhat pleasant alienating effect.

As much as I enjoy "Strobo", I must admit that this piece induces me in a compulsive state, and I can't help to press the repeat button again and again...

The following clips offer a complete preview of the remastered single, enjoy "Stroboo" and "Lay, Lady, Lay"!

More information about Dick Hyman, "Strobo / Lay, Lady, Lay" and the Moog Modular synthesizer is available here:

http://www.dickhyman.com/

http://en.wikipedia.org/wiki/Dick_Hyman

http://www.spaceagepop.com/hyman.htm

http://www.discogs.com/artist/15443-Dick-Hyman

http://moogfoundation.org/moog-a-history-in-recordings-dick-hyman-master-stylist-of-the-moog-modular/

http://tapeop.com/interviews/92/dick-hyman/

http://tapeop.com/articles/92/dick-hyman-bonus/

http://robertjaz.com/2014/06/happy-birthday-dick-hyman/

https://www.moogmusic.com/news/happy-birthday-dick-hyman-0

https://www.allaboutjazz.com/dick-hyman-the-beat-goes-on-dick-hyman-by-chris-m-slawecki.php?page=1

https://www.moogfoundation.org/thom-holmes-the-rarest-of-moog-modular-recordings/

http://officenaps.com/now-sound/moogs/

https://www.discogs.com/Dick-Hyman-Strobo/master/1297969

http://www.45cat.com/record/454136us

https://en.wikipedia.org/wiki/Moog_modular_synthesizer

https://www.flickr.com/photos/matrixsynth/sets/72157602368600280/

If you have any other useful information about Dick Hyman and "Strobo / Lay, Lady, Lay" - especially corrections and improvements to this post - or if you spot any dead links, please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

DICK JENSEN "HONOLULU GIRLS / ON THE BEACH" (circa 1982-84)

As promised just a few months ago, here comes what could possibly be one of the last posts in the long series that I dedicated to Dick Jensen since October 2011. Well, I must admit that I am contemplating the idea of gathering together all his singles, so there may still be room for one more big post dedicated to him here on Stereo Candies sometime soon.

Oh, and I have not yet completely resigned myself to live without a copy of Jensen's "True Spirit of Aloha", a religious album (...vinyl? ...cassette? Who knows....) that was released in 1985, after he became a born again evangelical Christian minister. This release is mentioned at least on a couple of Hawaiian websites and could easily be seen as the Holy Grail for all Jensen's die-hard fans, namely Me, Myself and I.

If you happen to have any information about such release and, who knows, even a copy for sale then I would love to hear from you, really!

A short biography of Jensen follows; for more details about his career up till the early '70s please have a look at this other post of mine: "Dick Jensen - An Entertainer Without a Hit Record (Part 1, 1942-1972)".

A rare early/mid '80s picture of Dick Jensen, sorry for the awful quality!

Jensen was a live musical performer of the Rhythm and Blues, Soul, and Gospel genres. A native Hawaiian athletic song stylist and a prime mover of nightclub shows inspired by Little Richard, whose "white hot soul" electrified audiences with his belting voice and imposing physical performances.

Jensen earned the sobriquet "The Giant" because of his tall stature, but he had a talent to match that nickname. His signature on-stage style incorporated strenuous dance moves similar to those of Jackie Wilson; he was noted for his glide - a proto-Moonwalk - well before Michael Jackson made it fashionable; just have a look at this clip on YouTube.

Jensen's music career began in 1959 and during the next fifteen years he moved back and forth between the Continental U.S. and Hawaii several times. He soon established himself as a singer in the Islands and in 1965 he got a contract with Loma Records.

During the late '60s / early '70 he often performed at several hotels and casinos and guested on many TV shows. His first album, entitled "White Hot Soul" (...available here...) was released in late 1969.

His potential as a national mainstream recording artist resulted in a contract with Philadelphia International, one of the top Soul music labels of the early 1970s. His "Dick Jensen" album was released in early 1973, but unfortunately sales were low and Jensen's tenure with the legendary label was very short...

Jensen returned to Honolulu around 1974 or 1975 and quickly re-estabilished himself as a local showroom star with engagements at the Hula Hut and at the Empire Room on the Oceania Floating Restaurant; the latter was jammed night after night for eight years.

"Giant of Hawaii", Jensen's third album (...available here...), was produced and arranged by Don Costa for his Don Costa Productions Inc. The record was released by Jensen himself in mid/late 1976 on a personal label created on purpose, the evocative Record Club of Honolulu.

In 1978 Jensen had a small part in a TV movie entitled "The Islander". I desperately tried to find a copy of this movie or at least more information about it, but all I could come up with is this short synopsis.

During 1979 Jensen worked on a new album with Bartolome 'Bart' Bascone, a veteran Island musician, conductor, composer and arranger best known for his novelty song "Who Is the Lolo (Who Stole My Pakalolo)", which Don Ho recorded and made a radio hit in 1977. "The Writer" (...available here...) was probably released the same year on Giant Records, another one-off label created by Jensen himself.

During the early '80s Jensen appeared on The Mike Douglas Show when it was broadcast from Hawaii, and guested on a few episodes of Magnum P.I.

Around the same time, a new single appeared out of the blue on, ehm, Bluewater Records, and - as you already guessed - "Honolulu Girls / On the Beach" is the subject of this post

Here's the track list for this 7" single:

01. Honolulu Girls (3:18)
02. On the Beach (3:04)

Both tracks were remastered from the original vinyl in April 2018 and are available in FLAC lossless format, along with scans of the original item.

Please have a look at the comments for the download link.



"Honolulu Girls / On the Beach" was released on Bluewater Records with catalogue number BW 1040 sometime in the early '80s. Unfortunately only very few information about this Hawaiian label run by legendary Tom Moffatt is available on the Internet.

My copy comes in a simple white paper sleeve and I guess this is how it was originally released. Date of publication is not written anywhere on the center labels, neither there are hints about it in the run-out grooves... Anyway, according to Discogs, other Bluewater singles with a lower catalogue number were released in 1980 and 1981, so I guess that a 1982-84 release date is correct.



Both tracks on the record were produced by Frank Day. No other credit is available, but I suppose that they were written by Jensen himself, or at least the lyrics seems to suit his style and suggest that he has to be credited for them.

The songs share a very similar musical structure and include extended saxophone solos. Unfortunately, like many other music recorded in the '80s, they seem quite dated now and they don't share the same freshness of other material recorded by Jensen during the previous decade.

Anyway, once again they showcase common themes of the life on the Islands and are a testament to the author's positive personality and attitude.

The following clips offer a complete preview of the remastered single, enjoy "Honolulu Girls" and "On the Beach"!

More information about Dick Jensen is available here:

http://archives.starbulletin.com/2006/06/22/news/story02.html

http://the.honoluluadvertiser.com/article/2006/Jun/22/il/FP606220304.html

http://www.oahuislandnews.com/May05/Home.htm

http://en.wikipedia.org/wiki/Dick_Jensen

I'm currently compiling a Dick Jensen biography, the first part of this work-in-progress covers the period 1942-1972 and is available here.

I'm also trying to compile a Dick Jensen exhaustive discography, my work-in-progress is available here.

Last but not least, I'm also trying to build a collection of Dick Jensen pictures and memorabilia, my work-in-progress is available here.

All my posts dedicated to Dick Jensen on this blog are available here.

If you have other useful information about this post, or if you spot any dead links, please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

THE SPACEMEN "JERSEY BOUNCE / BLAST OFF" (1959) [featuring VINNIE BELL on guitar]

This is the short final chapter in my attempt to reconstruct Vinnie Bell's path in the recorded music industry before his first single and debut album were released in 1960.

Previous posts have featured "Silently b/w Barracuda", a 1958 single by The Gallahads (...available here), and "Smoke Rings b/w Hawaiian Haze" by The Overtones, another 7" record released in 1959 (...here).

Now is time to take care about the elusive The Spacemen and their "Jersey Bounce b/w Blast Off", which was also released in 1959.

The center labels of this release include the line "with Vinnie Gambella, guitar" on both sides, and Bell is also credited for the co-writing of "Blast Off" on Side B.

Unfortunately I wasn't able to find any information about The Spacemen, except the fact that they released another single the same year... It would be great if someone out there could shed some light on this group, thanks for your help as usual!

For a detailed biography of Vinnie Bell, I suggest that you read this other post of mine.

Here's the track list for this 7" single:

01. Jersey Bounce (2:36)
02. Blast Off (2:46)

Both tracks were remastered from vinyl in November 2017 and are available in FLAC lossless format, along with scans of the original item.

Please have a look at the comments section for the download link.



"Jersey Bounce b/w Blast Off" was released by Felsted Records US with catalogue number 45-8578-V sometimes during the summer of 1959.

All the websites that offer information about this record usually present "Blast Off" as Side A and "Jersey Bounce" as Side B. In my opinion this is incorrect because matrix numbers and the other reference numbers on the labels suggest the contrary: they are respectively ZTSP 60857-1 and FD 286 for "Jersey Bounce" and ZTSP 60858-3 and FD 287 for "Blast Off".




The copy in my possession comes in a plain white sleeve, but I guess that at the time of release it was probably offered in a company sleeve. I searched the web but I couldn't find any Felsted sleeves... I speculate that, being operated from London Records in New York, records in the Felsted catalogue may have been released with a London company sleeve similar to those that you can see here.

The record was reviewed in the August 30, 1959, issue of Billboard and - although confined in the 'Moderate Sales Potential' column of the 'New Pop 7" Records' section - Bell's guitar work was praised. Here's a transcription for "Jersey Bounce": «Effective guitar solo treatment of the catchy oldie. Good juke wax.» and "Blast Off": «Solid guitar solo work on haunting instrumental theme. Spinnable.»

Vinnie Bell in the early '60s

The following clips offer a complete preview of the remastered single, enjoy!

More information about The Spacemen and Vinnie Bell is available here:

https://www.discogs.com/artist/3245624-The-Spacemen-9

http://www.vinniebell.com/

http://www.spaceagepop.com/bell.htm

https://en.wikipedia.org/wiki/Vinnie_Bell

https://www.discogs.com/artist/353572-Vinnie-Bell

If you have any other useful information about this post or if you spot any dead links, please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!