JAY-JAY JOHANSON "TRAVELLING LIGHT 1996-2000"

I've been on the road, I've been on vacation
I've been traveling light to reach my final destination
Now I'm coming home

So tell the girls that I am back in town, you'd better tell them to beware
Where they may go or they might try to hide, I follow on and I'll be there

So tell the girls that I am back in town, and if it's true I do not know
That every girl around had missed me since I decided to go

I could be your friend, I could be your stranger
I could be the one your mother said would be your danger
Now it's up to you

So tell the girls that I am back in town, you'd better tell them to beware
Where they may go or they might try to hide, I follow on and I'll be there

So tell the girls that I am back in town and if it's true I do not know
That every girl around had missed me since I decided to go

[excerpt from the lyrics of "So Tell the Girls That I'm Back in Town" by Jay-Jay Johanson, 1996]



Jay-Jay Johanson is one of my heroes. Yes, no less than that. So, what can I add? I remember the very first time I watched the promotional clip for his first single "It Hurts Me So" back in 1996: what a coloured and strong voice in such a pale and frail body!

The lyrics and general atmosphere of the song have instantly entrapped me in melancholy and I never recovered since then... No, seriously, I have thought about it many times and now I would like to publicly state that, in this life, Jay-Jay Johanson is the only worthy artist that I discovered stumbling by chance upon MTV at 3:00 a.m., really! Since then I enjoyed each and every album he has made and I never get tired of listening to them.

A few years ago, in the early days of the blog, I already dedicated a few posts to Jay-Jay and you can find them here. The collection of edits, remixes, live recordings, rare tracks, etc. that I'm delighted to feature in this post covers the years 1996-2000 or, if you prefer, his first three albums, namely "Whiskey", "Tattoo" and "Poison". Each of these releases is a trip hop M-A-S-T-E-R-P-I-E-C-E that can easily stand between Portishead's first two albums without being ashamed.

Jay-Jay Johanson at home in Stockholm, 1997

In his twenty-year career, Jay-Jay Johanson has released ten albums and is currently working on his eleventh full-lenght release that will be released sometimes in mid/late 2017. His latest available offering is entitled "Opium" and was released in 2015 on Kwaidan Records. Needless to say that it is another fine example of his great art and I strongly encourage you to check it out, you won't regret it.

The following review of "Opium" was written by French journalist Pierre Siankowski; it fairly summarize Jay-Jay's distinctive features and was used as the album's official press-release:

«It was in 1996 that Jay-Jay Johanson, a young man from a cold climate, fascinated by the Bristol sound they called trip-hop and Portishead in particular, first tapped delicately on our eardrums. The intoxicating album that definitively put this rare and elegant Swede on the map was called "Whiskey". It was the beginning of an enthralling adventure. In only a few songs he revealed a family tree that spread its roots far and wide: on one branch Lee Hazlewood, or pop from Talk Talk or Harry Nilsson, on the other John Coltrane with Johnny Hartman, and a whole army of calm jazz or symphonic recordings sampled from everywhere imaginable. Almost twenty years later he has returned with an incredible new album. This new release is called "Opium" and it contains the very essence of Johanson's music: an ease with inventing melodies, a voice that gently caresses, and the jacked up, heady rhythms that lift and carry the songs. From the peaceful harmonica opening of "Drowsy / Too Young To Say Good Night" to the smoke-wreathed love song "I Don't Know Much About Loving", via titles with a sporadic and light groove ("NDE", "Alone Too Long"), "Opium" is a courageous offering. Johanson opens his heart with fearlessness and modesty, gracefully lowering his guard and evoking the questions that torment men of his age: love, solitude, immaturity. The songwriting is unerring, the words have a suppressed poetry. This new Johanson is the work of a guy who has survived the avalanches, who is no longer looking for answers and is content to sketch out the perspectives in as many songs. Some titles are serious ("Harakiri"), but others immediately take up the reins casting a more gentle, peaceful light, like "Scarecrow," a collaboration with Robin Guthrie that would not have sounded out of place on a Cocteau Twins album, or of the strange positivity of "Be Yourself" or "I Love Him So". The strength of "Opium" is that it asks questions that don't necessarily have an answer; it offers a collection of songs freed from any certitude but which convince through their modesty, through their precision. In short, Jay-Jay at his best.»

Jay-Jay Johanson, 1997

Here's the tracklist of "Travelling Light 1996-2000":

Disc 1

01. It Hurts Me So (Single Edit) (4:14)
02. So Tell the Girls That I Am Back In Town (Radio Edit) (3:49)
03. Mana Mana Mana Mana (Bang Bang Remix) (4:09)
04. Milan. Madrid. Chicago. Paris. (Radio Edit) (3:52)
05. BANG BANG feat. JAY-JAY JOHANSON - Two Fingers (4:32)
06. She's Mine But I'm Not Hers (Remix by Cherno) (4:23)
07. Alone Again (Remix - An Arthur Ashe Experience) (3:31)
08. Keep It A Secret (Radio Edit) (4:01)
09. Believe In Us (Piano Mix by Laurent Levesque) (4:08)
10. I Fantasize of You (Black Session, 30.04.97) (5:40)
11. The Girl I Love Is Gone (Black Session, 30.04.97) (3:53)
12. It Hurts Me So (Black Session, 30.04.97) (4:54)
13. So Tell the Girls That I'm Back In Town (Black Session, 30.04.97) (5:06)
14. Mana Mana Mana Mana (Black Session, 30.04.97) (5:50)
15. I'm Older Now (Black Session, 30.04.97) (4:18)
16. Suicide Is Painless (Black Session, 30.04.97) (3:32)
17. BANG BANG feat. JAY-JAY JOHANSON - Two Fingers (Instrumental) (4:34)

Disc 2

01. It Hurts Me so (Live at Studio Eefinanny, Stockholm, 1997) (5:52)
02. Milan. Madrid. Chicago. Paris. (Live in Strasbourg, 15.11.97) (5:00)
03. Mana Mana Mana Mana (Live in Strasbourg, 15.11.97) (5:22)
04. I'm Older Now (Live in Strasbourg, 15.11.97) (4:16)
05. She's Mine But I'm Not Hers (Live in Strasbourg, 15.11.97) (3:24)
06. Keep It a Secret (Remix - A Tribute To Venus & Serena) (4:25)
07. Believe In Us (Trip Listening Mix by Amadeus Tapioka) (4:46)
08. Far Away (Radio Edit) (4:12)
09. She's Mine But I'm Not Hers (Remix by Robin Guthrie) (4:25)
10. Neon Lights (Kraftwerk cover) (5:43)
11. Fire (Deep Deep Wood Mix) (3:10)
12. La Confusion des Genres Theme (Vocal Version) (3:22)
13. La Confusion des Genres End Theme (Alone Again Remix 2) (3:47)
14. Seven Inch (Vocals by Sadie & Alex Wollf) (4:56)
15. Alone Again ('La Confusion des Genres' hidden track) (1:53)
16. It Hurts Me So (Kareokee Version) (6:12)
      FIDGET feat. JAY-JAY JOHANSON - Hey Little Sister (3:23)

All selections were compiled and mastered in late 2016 / early 2017 and are available in FLAC lossless format along with printable artwork.

Before burning this compilation to CD-R using the provided CUE files you must convert the original FLAC audio file to WAV format using an appropriate software. Please have a look here if you need some help.

As usual, please have a look at the comments for the download link.



Some of the tracks contained on "Whiskey" - or more probably, the whole album - were recorded as early as 1994-1995, while "Poison" was probably already finished by the end of 1999... The "1996-2000" part in the title of this collection refers to the years the tracks were released for the first time. Here's more details about them:

tracks 1.01 and 2.16a are taken from "It Hurts Me So", CD single, 04.04.1996

track 1.02 is taken from the first edition of "So Tell the Girls That I Am Back In Town", CD single, 23.07.1996

track 2.16b is taken from Fidget's "Stop Losing", CD single, 1997

tracks 1.03 and 2.01 are taken from "Mana Mana Mana Mana", CD single, 1997

tracks from 1.10 to 1.16 were recorded live at Studio 105, Paris, France, 30.04.1997

tracks from 1.10 to 1.14 were remastered from "The Black Sessions #104", a CD-R bootleg released by Sangatte Records sometimes in 2004

track 1.15 is taken from the second edition of "So Tell the Girls That I Am Back In Town", CD single, 1997

track 1.16 is taken from "Un Automne 97", a various artists CD that was released as a supplement to French magaine Les Inrockuptibles in October 1997

tracks 1.05 and 1.17 are taken from Bang Bang's "Two Fingers", promotional CD single, 1998

track 1.04 is taken from "Milan. Madrid. Chicago. Paris.", CD single, 07.05.1998

tracks from 2.02 to 2.05 were recorded live in Strasbourg, 15.11.1997

tracks from 2.02 to 2.04 are taken from "Jay-Jay Goes Live", promotional CD single, 1998

track 1.06, 2.05 and 2.09 are taken from from "She's Mine But I'm Not Hers", CD single, 10.09.1998

tracks 1.07, 1.08 and 2.06 are taken from "Keep It a Secret", CD single, 11.02.2000

tracks 2.10 and 2.11 are bonus tracks taken the French edition of "Poison", CD, French edition, 11.04.2000

tracks 1.09 and 2.07 are taken from "Believe In Us", CD single, 05.07.2000

tracks from 2.12 to 2.15 are taken from "La Confusion des Genres", original soundtrack CD, 2000

track 2.08 is taken from "Best of 1996-2013", compilation CD, 2013

The following is a rich selection of original promotional clips, remixes and live tracks that are pertinent to the collection presented in this post, enjoy!

More information about Jay-Jay Johanson is available here:

http://www.jay-jayjohanson.com/

https://www.facebook.com/jayjayjohanson/

https://soundcloud.com/jay-jay-johanson

http://www.michelviotte.fr/spip.php?article58

http://en.wikipedia.org/wiki/Jay-Jay_Johanson

https://www.discogs.com/artist/11481-Jay-Jay-Johanson

http://www.alwaysontherun.net/jayjay.htm

https://www.youtube.com/watch?v=cWU7Mx2vOlU

https://www.youtube.com/watch?v=qLaKwzYXutE

http://www.froggydelight.com/article-16552-Jay_Jay_Johanson.html

http://www.popnews.com/popnews/jay-jay-johanson-et-robin-guthrie-interview

http://crueltobekind.fr/jay-jay-johanson

https://zetalks.wordpress.com/2015/04/08/jay-jay-johanson-develop-your-creativity-and-believe-in-it/

All your inputs are more than welcome: you can reach me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

JAY-JAY JOHANSON "THE BLACK SESSIONS #104, 30.04.1997"

Every night I go to sleep and begin to dream
The story of my dream has got the same old theme
It’s you, baby, it’s you

Turn off the light, sit down on the couch, pour me a whiskey too
Take off your dress, I’ll help you with that
I fantasize of you

The scent of your skin gets to my head, as the smoke from your cigarette do
With Monk in the speakers and love in your eyes
I fantasize of you

[excerpt from the lyrics of "I Fantasize of You" by Jay-Jay Johanson]



With his debut album entitled "Whiskey" published in August 1996, swedish musician and singer-songwriter Jay-Jay Johanson (born Jäje Johanson) made crooning fashionable again at the end of the 20th century.

"I Fantasize of You", whose lyrics introduce this post and whose musical performance is the opening number on the bootleg recording of "The Black Sessions #104", is a fine example of his original style and genuinely affecting warm voice.

Originally published on Commando! / BMG (Sweden), and probably aimed at the Swedish market only, "Whiskey" was soon reprinted in a larger scale and made quite a sensation in France. Jay-Jay was elected "revelation of the year" by Les Inrockuptibles magazine and featured as cover-star on issue #124 in October 1997.



The Black Sessions are concerts performed for the French radio station France Inter as part of the C'est Lenoir Show. They were created in 1992 by Bernard Lenoir ("le noir" = "the black" in English) with the collaboration of Michèle Soulier. Often compared to the legendary Peel Sessions hosted by John Peel for BBC Radio 1, they are recorded in front of an audience and broadcasted live.

Also known as the "French John Peel", Lenoir has a strong reputation and is highly regarded as a radio pioneer, talent scout and prime mover of independent Rock music.

The Black Sessions are usually exploited by Sangatte Records, a bootleg label specialized in French radio shows. Marked as promotional releases, and resembling a connection with both Radio France and Bernard Lenoir, althought advertised as CDs they are CD-Rs "limited" to 2.500 individually numbered copies.



"The Black Session #104" by Jay-Jay Johanson was recorded live at Studio 105 in Paris on April the 30th 1997 and features the following songs:

01. I Fantasize of You (5:26)
02. The Girl I Love Is Gone (3:56)
03. It Hurts Me So (4:44)
04. So Tell the Girls That I'm Back In Town (5:25)
05. Mana Mana Mana Mana (5:50)
06. Tell Me Like It Is (3:19)
07. Suicide Is Painless (3:52)

All tracks were remastered from the original CD-R bootleg in November 2011 and are available in FLAC lossless format or high-quality 320 Kbps MP3 files, both formats include complete PDF artwork. Please have a look at the comments for the download links.


Jay-Jay Johanson performing live at The Black Sessions #104, picture by Maxime Lévrier

Technically speaking, the recordings on the original bootleg in my possession are not in the best shape. They have probably been recorded on cassette and present quite a lot of hiss and radio static.

Furthermore, one of the songs ("So tell the Girls That I'm Back In Town") has a ten seconds cut during the first refrain. Luckily, I was able to fix most of these problems and the performance is quite more than just enjoyable in the fully remastered version that I'm offering for download here.

I must add that "Tell Me Like It Is" doesn't seem to come from the same source as the other tracks. It has a completely different ambience and it looks like it simply is a low-bitrate version of the original studio version that appears on "Whiskey".

I can't understand the reason for this, maybe the recording of this track was completely unusable for some reason, or maybe the bootleggers failed to record the song during the broadcast. As an alternative explanation, maybe the track was added just to increase playing time, who knows... Anyway, since it is part of the original bootleg I decided to keep it together with the other numbers.


Jay-Jay Johanson performing live at The Black Sessions #104, picture by Maxime Lévrier

Most of the tracks presented on this Black Sessions were originally released on "Whiskey" about one year earlier. Musically speaking, these songs are in strong debt with the Bristol trip-hop scene and especially with "Dummy", Portishead's debut album released back in 1994.

The cool arrangements are fed with hints of Jazz, Noir soundtracks and Bossanova, and Jay-Jay's voice stands out against the cinematic and lush backgrounds of Rhodes piano (courtesy of Erik Jansson, a precious and constant presence throughout Jay-Jay's entire career) and samples.

And about samples: althought the sleeve notes of "Whiskey" only credits Michael Nyman's "Fish Beach" as a sample source for "I'm Older Now" (...unfortunately a version of this track performed and recorded during this Black Session was not included on the Sangatte Records bootleg CD-R, but it available on the second edition of the rare "So Tell the Girls That I'm Back In Town" CD-single released by BMG (Sweden) in 1997...), there are other uncredited samples that you can hear in some of the tracks presented here that are worth mentioning.

First of all, the masterpiece "It Hurts Me So" is completely revolved around an orchestral loop taken straight from Francis Lai's "Plus fort que nous" (or "Stronger Than Us" in the English version) which is part of the soundtrack to Claude Lelouch's "Un homme et une femme" ("A Man and a Woman").

"So Tell the Girls That I'm Back In Town" features a small sample from Lalo Schifrin's "Danube Incident" (from an episode of "Mission: Impossible", which also consists the core of Portishead's "Sour Times") and a basic drum loop from Al Green's "I'm Glad You're Mine" (from the 1972 album "I'm Still In Love With You", also used by Massive Attack on their "Five Man Army" included on "Blue Lines").

The original music videos of "It Hurts Me So" and "So Tell the Girls That I'm Back In Town" are available here below courtesy of YouTube.

"Suicide Is Painless", the closing number on "The Black Session #104", is a cover of the theme song from the famous American TV series "M.A.S.H." written by Johnny Mandel and Mike Altman. According to Jay-Jay's own spoken introduction, this is his favourite TV series of all times.

The song was included on "Un automne 97", a special CD sampler released as a supplement to Les Inrockuptibles in October 1997 (...I'm not sure if this was a subscribers-only gift, or not...), and has been regularly performed live by Johanson through the years.

Since at last it has been properly recorded and included on his latest studio offering entitled "Spellbound" in 2011, it seems that Jay-Jay is still fond of M.A.S.H. and hasn't changed his mind about it.

By the way, just like all the previous Jay-Jay Johanson's releases, "Spellbound" is a great album. A double CD limited edition that includes new acoustic versions of older tracks is also available, I strongly encourage you to buy a copy and check for yourself how good it is.

Jay-Jay is often touring, if he happens to be in a city somewhere near you don't forget to pay him a visit, you will be rewarded and touched by his great artistry and his lovely persona.


Les Inrockuptibles #124, 29.10.1997

[last update: 31.01.2012]

More information about Jay-Jay Johanson and The Black Sessions is available here:

http://twitter.com/#!/JAYJAYJOHANSON

http://www.jay-jayjohanson.com/

http://www.myspace.com/jayjayjohanson

http://en.wikipedia.org/wiki/Jay-Jay_Johanson

http://web.me.com/michelviotte/Michel_Viotte_-_Site_Officiel/jayjayjohanson.html

http://www.blacksessions.fr/

http://www.freewebs.com/blacksessions/

I will hopefully post more Jay-Jay Johanson live recordings in the future. If you have any other useful information about him and this Black Session - especially corrections and improvements to what I wrote above - or if you spot any dead links, please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!