RITA CHAO (凌雲) "RITA CHAO WITH THE QUESTS" (1967)

Rita Chao, best known to her Mandarin-speaking fans as 凌雲 (…Ling Yun, Ling Ying or Seow Mei-Mei, depending on your preferred source of information…), was born in Singapore, probably sometimes in 1949 or early 1950; she grew up there, where she received her education.

Anyway, according to some reports, her family originated from the city of Hangzhou (杭州), which is located in the Zhejiang Province (浙江省) in Eastern China, not so far from Shanghai (上海).

Rita, the youngest of six children with three brothers and two sisters, started singing at the tender age of 8 and was already working as a singer and actress at 14. At school she was not very interested in her academic studies, instead she excelled with performance arts: singing and acting.

Luckily enough, she was born in a family of artists: her grandmother, Zhao Yongchun (趙永春), was a known Chinese Opera singer, and her mother Jing Yu Xian (荊玉仙) was a Chinese Opera singer too. Growing up in this environment allowed her to be familiar with life in the entertainment business, and helped to mentor her future career.

Her parents and relatives saw her potential as an artist quite soon, and decided to pull Rita out of school to follow the Opera troupe on their performances. Rita was given chances to perform Chinese Opera on stage and her performances were very good.

It is unclear when and where Rita embraced Pop music... However, at the end of 1965 - when she was just 15 - while touring Malaysia with her former group, she joined a band called Super XX.

In the meantime Zhao Yongchun, determined to turn her beloved granddaughter into a star, increased her vocal training, became her manager and successfully arranged for her to perform in various nightclubs in Singapore.

Rita was discovered on the local entertainment scene by Su Yin (舒雲), a.k.a. Henry Foo, a Singaporean singer, songwriter and lyricist, who at the time was also the A&R manager for the Chinese section at Columbia / EMI.

In 1966 she was signed by the label and released her very first 7" EP. On this record, she was paired with the top guitar band from Singapore, The Quests. The EP sold over 50.000 copies, and for Rita it was instant stardom.

During those days Rita met Sakura Teng (櫻花). As the story goes, Sakura was already a star singing at various Cabarets throughout South East Asia. On one occasion before going on stage, Sakura and Rita were backstage talking; they instantly clicked and started singing together. Sakura thought they had a very distinctive sound and that night she decided to add a segment to the show in which they would sing a duet. Obviously, they received a stunning reaction from the public and decided to join forces...

Well, probably that is just the romantic version of the story...: since both singers were doing quite well, it is an easy guess that EMI felt that pairing them would give both their careers a boost. In 1967 Rita and Sakura began performing as a double act and constantly toured Singapore, Malaysia, Taiwan, Hong Kong and Japan, building a fan base at each port of call.



During her heyday Rita Chao recorded many great Mandarin covers of popular English songs and she was part of the pioneers who launched the Rock Movement in Singapore. Along with Sakura, they were both known as 'A Go-Go Queens of the Sixties"; in those days, they used to perform at the now defunct New World Amusement Park and they both lived in Jalan Besar.

Rita's career lasted about ten years. In 1975, when her last solo album was released, she declared in an interview that she was about to make a movie in Hong Kong and that she was tired of singing all the time... In 1980-81 she briefly returned on the scene releasing two albums with Sakura, just before disappearing completely.

For more than three decades there has been no news about her in the media, only during recent years unconfirmed information appeared on the Internet that she may have been suffering from a psychiatric illness that required long-term treatment.

In early February 2015 the news about her death spreaded: Rita's 90-years-old mother confirmed that the former singer passed away in July 2014; she has been suffering from colon cancer for about three years when she died at the Singapore General Hospital surrounded by her mother, brothers and sisters. Her ashes were scattered at sea after a short wake and funeral attended by family and friends. The family did not inform show business friends as they wanted the past to be forgotten...

Most of the information included in this post was translated by our best friend Brian (...thank you!!!) from a rare article found in the May 19, 1970 edition of "Hong Kong TV Magazine" available in this post on the great macaenese5354 blog.

I am also in debt with Joseph C. Pereira, whose books "Apache Over Singapore" and "Beyond the Tea Dance" are a constant and invaluable source of information and inspiration, thanks!!!

"Rita Chao With The Quests" includes the following tracks:

01. 隔壁的冤家 (The Boy Next Door) (2:01)
02. 薄情郎 (He's Untrue) (3:23)
03. 別纏住我 (Only Friends) (3:35)
04. 搖搖搖 (Shake Shake Shake) (1:49)
05. Hanky Panky (3:11)
06. 愛人你變了 (I Know) (3:17)
07. 去年今天 (Lonely Heart) (3:36)
08. 媽媽的勸告 (Bachelor Boy) (2:07)
09. Sixteen Candles (3:16)
10. 小姑娘 (Let True Love Begin) (3:05)
11. 往日的舊夢 (Gonna Be Alright) (2:23)
12. 我不能沒有你 (Wooly Bully) (2:07)

All tracks were remastered in March 2019 and are available in FLAC lossless format, along with complete artwork reconstruction and printable PDF files.

Please have a look at the comments section for the download link.

Rita Chao as she appears on the front cover of the album

Preceded by four stunning 7" EPs - all available here on Stereo Candies - Rita Chao's debut album was released sometime in early/mid 1967 by Columbia / EMI in Singapore with catalogue number 33 ESX 603.

The album comes in a lovely flipback laminated sleeve with a two-colour printed matte back. The front cover uses a flipped picture of Rita Chao that earlier graced her 我不能沒有你 (The Boy Next Door) EP, while the back offers a slightly psychedelic collage of four different pictures that portrait her in three different outfits, including the one she is wearing on the front cover.

The vinyl copy in my possession is a first pressing with green labels that was manufactured in Australia, probably just weeks before EMI's Singapore pressing plant came on-line in June 1967. The second pressing has black labels similar to those that you can see in the post I dedicated to Sakura's debut album.

The colours on the front cover of my original copy are quite pale in comparison to the reconstruction that I'm offering in this post. You can catch a glimpse of the original cover in this picture available on the Stereo Candies Instagram account. I thought that somehow my copy was defective, or that maybe it had been exposed to direct sunlight for a long time but, as I was searching the Internet prior to compile this post, I discovered that other copies bear the same defect... The other record that appears in such picture is an infamous sounding bootleg that exploits this same cover, but features a different tracklisting that also includes tracks released a few years later.

As the title clearly implies, on this album Rita Chao is accompanied by The Quests, the legendary Singaporean group which was very active during the mid-late '60s, both as a backing unit - most notably for Rita herself and Sakura - and as performers in their own right with a very long series of singles and four full-lenght albums. It's about time that I also start taking care of their recordings, but that's another story, so let's move on to the usual track-by-track commentary...



Side 1 opens with "隔壁的冤家 (The Boy Next Door)", a song written by Johnny Madara and David White that was originally performed by American girl group The Secrets in 1963. The same year the song was turned into a huge hit in Singapore by The Crescendos, you can listen to their version own by clicking here.

Unfortunately I wasn't able to find any information about "薄情郎 (He's Untrue)", I would believe that it is an original composition, but the presence of a Mandarin + English title seems to prove the contrary... Maybe some reader of this blog can shed some light on the subject? Anyway, this track features Reggie Vergese in top form offering a great performance on acoustic guitar, including a mandolin-style solo.

"別纏住我 (Only Friends)" is a Mandarin cover of "Ton meilleur ami", a song originally performed by French singer and actress Françoise Hardy in 1962. An English version of this song was popularized in Singapore by Heather and The Diamond Four.

The very short and lively "搖搖搖" (Shake, Shake, Shake) was originally included in the 1966 movie "何日君再来" (Till the End of Time), which was a huge success in Singapore and launched the acting career of the young 胡燕妮 (Jenny Hu). The voice singing the original tune belongs to Chinese singer and dubbing artist 静婷 (Tsin Ting); you can watch the original music number here.

"Hanky Panky" is a song written in 1963 by Jeff Barry and Ellie Greenwich for their group, The Raindrops. It was famously remade by rock group Tommy James and the Shondells, who took it to No. 1 in the United States in 1966. On this version, The Quests add their trademark guitar sound and wild drumming, turning Rita's performance in a Garage classic. Here's a link to The Raindrops' original version.

The original version of "愛人你變了" (I Know) was written by Robert Suriya of Naomi & The Boys and was included on the band's second EP released in 1965 by Philips. "快樂誕辰" (Happy Happy Birthday) was also included in the same EP, and is a cover of a 1957 Doo Wop number by The Tune Weavers (...original version is here).



Side 2 starts with "去年今天 (Lonely Heart)", a Mandarin cover of The Thunderbirds' "My Lonely Heart", one of the most popular original compositions in the history of Singapore Pop Music, which was written in 1966 by Harvey Fitzgerald - the band's lead singer - and Gerry Pasqual, their manager. The magic of the original version is reinforced by Rita's memorable performance and the evocative Mandarin lyrics would send shivers down the spine of the coldest human on Earth. This is a M-A-S-T-E-R-P-I-E-C-E!!!

"媽媽的勸告 (Bachelor Boy)" is a cover of a song written by Cliff Richard and Bruce Welch. Originally performed by Cliff Richard with musical accompaniment by The Shadows in 1963, it was also included on the successful movie "Summer Holiday".

"Sixteen Candles", the immortal youth anthem written by Luther Dixon and Allyson R. Khent, was originally performed by American Doo-wop group The Crests in 1958. On this release Rita sings a slightly adapted version of the original English lyrics; a version with Mandarin lyrics was also recorded and released during the same year.

While the "atmosphere" of all the other covers on the album is rather faithful to the original, this rendition "小姑娘 (Let True Love Begin)" - a 1961 number by legendary pianist and singer Nat King Cole - is clearly marked with Rock'n'Roll elements which are not present in the original. This song was written by Mark Barkan along with Sandy Baron and George Eddy. Another interesting version recorded by The Crests in the early '60s is linked here for comparison.

"往日的舊夢 (Gonna Be Alright)" is a Mandarin cover version of Gerry and The Pacemakers' hit. The song was written by Gerry Mardsen and originally performed by the group in 1964.

The album ends with "我不能沒有你 (Wooly Bully)", a cover of a popular song originally recorded by novelty Rock'n'Roll band Sam the Sham and the Pharaohs in 1965. Wikipedia offers much more information about the song here, and you can listen to the original version courtesy of YouTube. Another clip that shows the band performing a playback on TV is also available here.

The following clips offer a complete preview of the remastered album, enjoy!

More information about Rita Chao is available here:

http://www.discogs.com/artist/385494-Rita-Chao

https://rateyourmusic.com/artist/%E5%87%8C%E9%9B%B2

https://rateyourmusic.com/artist/rita_chao_and_sakura

http://madrotter-treasure-hunt.blogspot.com/search/label/rita%20chao

http://blog.roodo.com/macaenese5354/archives/25610568.html

http://blog.roodo.com/macaenese5354/archives/25707290.html

https://questing.wordpress.com/category/rita-chao-%E5%87%8C%E9%9B%B2/

https://questing.wordpress.com/category/sakura-rita-duet-%E6%AB%BB%E8%8A%B1-%E6%B7%A9%E9%9B%B2/

http://mocamborainbow.blogspot.com/2008/07/rita-chao.html

http://www.smartshanghai.com/articles/nightlife/music-tuesday-far-out-east-2

http://singapore60smusic.blogspot.com/2009/01/rita-chao-pop-go-go-for-william-dad.html

http://en.wikipedia.org/wiki/Music_of_Singapore

https://www.flickr.com/photos/dk_gilbert/sets/72157625310673913

http://www.geocities.jp/a104gs/rita.chao.html

http://www.geocities.jp/a104gs/rita.lp.html

http://www.geocities.jp/a104gs/sakura.rita.chao.html

http://women.asiaone.com/women/people/agogo-princess-rita-chao-died-6-months-ago

http://www.straitstimes.com/lifestyle/entertainment/a-go-go-queen-rita-chao-dies-of-colon-cancer

If you have any other useful information about Rita Chao and "Rita Chao With The Quests", or if you spot any dead links, please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

ROBERTO BRIVIO "SALVE EROI DELLA LUNA / GLASS" (1969)

Best known as a member of I Gufi (The Owls) - an Italian musical and comedy ensamble - actor, singer, comedian and writer Roberto Brivio was born in Milan in February 1938.

Son of a man from the Brianza area and a Friulian woman, he dedicated himself to theatre after graduating with famous actress Esperia Sperani, from the Accademia dei Filodrammatici, in 1959.

At the beginning of the '60s he joined the Compagnia dei ragazzi dell'Angelicum and started producing a series of 7" singles for children and prose LPs for La Voce del Padrone and Ricordi.

Among these we'd like to remember at least his Italian adaption of Nigel Kneale's "The Quatermass Xperiment" (L'astronave del Dottor Quatermass), which will hopefully be the subject of another post here on Stereo Candies in the future.

In 1962 he opened the Teatro del Corso in Milan, which he successfully managed for a few years.

Around the same time he started writing for the Italian TV and radio, and also produced his first comedy / chanson records for the Columbia label under the alias Roberto Bi. These included some early examples of his gallows humor, which he will expand later on during his experience with I Gufi.



In 1964, the meeting with Lino Patruno and Nanni Svampa, later joined by Gianni Magni, gave rise to the aforementioned musical group. In those years, I Gufi helped to create a form of musical cabaret in Italy, often using the Milanese dialect in their productions.

Their debut album, entitled "Milano canta" (Milan Sings), was released by Columbia in February 1965, and was the first in an astounding series of twelve successful LPs which were produced by the group in just four years.

During his tenure with I Gufi, Brivio was credited for writing about 50% of the band's repertoire in collaboration with his musical partner Ario Albertarelli.

Until their disbandment in 1969, the group regularly performed in theatres throughout the country and also arrived on television, managing to pass through the tight stranglehold of censorship thanks to their use of dialect.

Shortly after, along with Augusto Mazzotti, formerly one of his classmates at the Accademia dei Filodrammatici, Brivio debuted at the Teatro Nuovo in Milan with a new play entitled "Fantascienza" (Science Fiction).

Following this effort, a selections of songs probably excerpted from the play were collected on the first Brivio solo album, the aptly entitled "13 Canzoni di Fantascienza" (13 Science Fiction Songs). The album was released by Columbia in early summer 1969 and will be a succulent subject for another post quite soon.

During the same year, a 7" single entitled "Salve eroi della Luna" (Hello Heroes of the Moon) b/w "Glass" was also released, and is covered in this post.

Roberto Brivio on stage in a recent picture

Here's the track list for this 7" single:

01. Salve eroi della Luna (3:00)
02. Glass (3:28)

All tracks were remastered from the original vinyl in February 2019 and are available in FLAC lossless format, along with scans of the original item.

Please have a look at the comments for the download link.



"Salve eroi della Luna / Glass" was released by Columbia / EMI in Italy with cat. number SCMQ 7155 / 3C 006-17196 M sometime in 1969. The matrix numbers in the dead wax area are marked "2-10-69", so I easily guess that the single was published towards the end of the year.

The records comes in a cover that superimpose a picture of Buzz Aldrin, Neil Alden Armstrong and Michael Collins - the crew of the successful Apollo 11 mission that brought the first men on the Moon in July 1969 - on a drawing by cartoonist Ferruccio Alessandri that originally adorned the cover of "13 Canzoni di Fantascienza", the album released by Brivio a few months later. On the back we don't find much of interest, just a small coupon that can be cut out to be used inside juke-boxes.



As both the cover and title imply, "Salve eroi della Luna" (Hello Heroes of the Moon) is a ballad that solemnly celebrates the conquest of the Moon. The song was written by Brivio along with his long-time collaborator Ario Albertarelli and is a tribute to the "...fearless, brave, immortal, generous..." men who accomplished such extraordinary feat.

On Side B we find "Glass", a more hilarious track that had already appeared months earlier on Brivio's debut album. This is another Brivio-Albertarelli composition that focuses on the effects of lack of gravity during space flight, comparing them to the signs and symptoms of drunkenness. The lyrics make an elegant and effective use of all sort of onomatopoeias and Brivio's prowess as an actor clearly emerges. The last line "Non c'è serietà senza gravità." (There is no seriousness without gravity.) effectively summarises the concept expressed in the song.

The following clips offer a complete preview of the remastered single, enjoy!

More information about Roberto Brivio and I Gufi is available here:

https://it.wikipedia.org/wiki/Roberto_Brivio

https://it.wikiquote.org/wiki/Roberto_Brivio

http://robertobrivio.blogspot.com/

https://www.facebook.com/robertobrivio17

https://www.discogs.com/artist/1437210-Roberto-Brivio

https://www.lettera43.it/it/articoli/cultura-e-spettacolo/2015/12/25/roberto-brivio-vi-racconto-cosa-vuol-dire-essere-gufi/158495/

https://www.massaiemoderne.com/1967-linsalata-del-vampiro-roberto-brivio/

https://www.avvenire.it/agora/pagine/brivio-

https://www.youtube.com/watch?v=OQjy-0xcqbk

https://www.youtube.com/watch?v=VJ_ZZwMP4KA

https://en.wikipedia.org/wiki/I_Gufi

https://it.wikipedia.org/wiki/I_Gufi

https://it.wikiquote.org/wiki/I_Gufi

https://www.discogs.com/artist/1324498-I-Gufi

https://www.youtube.com/user/igufi/videos

http://verso-la-stratosfera.blogspot.com/2016/11/i-gufi.html

If you have any other useful information about Roberto Brivio and "Salve eroi della Luna / Glass", or if you spot any dead links, please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

PIETRO ATTILA AND THE WARLOCKS "PIETRO AND THE WARLOCKS" (1969)

You say it's your birthday
It's my birthday too, yeah
They say it's your birthday
We're gonna have a good time
I'm glad it's your birthday
Happy birthday to you

Yes we're going to a party party
Yes we're going to a party party
Yes we're going to a party party

I would like you to dance - Birthday!
Take a cha-cha-cha-chance - Birthday!
I would like you to dance - Birthday!
Dance!

I would like you to dance - Birthday!
Take a cha-cha-cha-chance - Birthday!
I would like you to dance - Birthday!
Dance!

You say it's your birthday
It's my birthday too, yeah
You say it's your birthday
We're gonna have a good time
I'm glad it's your birthday
Happy birthday to you

Happy birthday!

[from the lyrics of "Happy Birthday"]



It's time for another post concerning a record included in the impressive ECHK / S-ECHK series published in Southeast Asia by EMI / Columbia starting from the second half of the '60s up to the early '70s.

Unfortunately I wasn't able to discover much information about Pietro Attila and The Warlocks, but as usual I'd like to share them with you. Most of the details were sourced from the description of this clip on YouTube and the booklet included in the "Steam Kodok" CD compilation... Here we go:

Pietro D'Angelo was born in Sicily, Italy, sometime during the late '30s. He spent the first part of his life in his native island mastering the tenor saxophone; here he got married and also had a daughter. During the late '50s / early '60s he moved to Hong Kong and made his base there.

Later he adopted the stage name Pietro Attila and his charactheristic 'bald dome and pony tail' look. He came to Singapore in 1968 with a foreign edition of The Warlocks and they did gigs in local clubs.



At some point, the group went back home but Pietro stayed and formed a new edition of The Warlocks comprising mainly Asian musicians. They got signed by EMI and in 1969 they released an album, "Something In the Air", and an untitled EP of exclusive tracks, which is the subject of this post. A single with two cuts taken from the album ("Something In the Air" and "Dizzy") was also released the same year.

Subsequently, the group changed again. In the early '70s, drummer Lim Wee Guan performed with Pietro and The Warlocks for six months at the New Latin Quarter nightspot in the Akasaka district in Tokyo after The Quests split. Thereafter he moved on with them to Guam for another six months.

The following Lim Wee Guan quote is taken from the book "Call It Shanty! - The Story of The Quests" written by Henry Chua:

«After The Quests broke up, I was still playing with other groups. I was with this group called The Black and White Rainbow which had Robert Suriya on lead. After that, they joined up with Pietro and The Warlocks and then they asked me whether I could travel and I thought why not, I had nothing on so I joined Pietro with Robert and Colin Rozario. So we went to Japan, we stayed there for about six months, then from there we went to Guam. After that, I found the music was getting too commercial and I wasn't getting anywhere so I came back. The group later broke up and Pietro left Singapore. I think it was about 1973.»

A rare picture of Pietro Attila and The Warlocks in the early '70s, from left: Robert Suriya, Colin Rozario, Pietro, Lim Wee Guan and Steve Bala

Here's the track list for this 7" EP:

01. Happy Birthday (2:47)
02. This Guy Is In Love With You (3:17)
03. Beggin' (2:47)
04. Turn Around, Look at Me (3:11)

All tracks were remastered from the original vinyl in November 2018 and are available in FLAC lossless format, along with scans of the original item.

Please have a look at the comments section for the download link.



The "Pietro and The Warlocks" EP was released by EMI /Columbia in Singapore sometime in 1969 with cat. number ECHK 625. I assume that this was the group's debut release and that their album entitled "Something In the Air" - which will be the subject of another post in the future - was released months later. Of course it could also be the other way round, who knows...

Also, in this post I always refer to the group as Pietro Attila and The Warlocks, as they are credited on their LP release, but their name is spelled as the simpler Pietro and The Warlocks both on this EP and their "Something In the Air b/w Dizzy" 7" single excerpted from the album...

Anyway, the EP comes in a colourful cover that portrays the group in stylish suits and medallions on the front, while on the back an emphasys is given on Pietro, who seems to hold the band in his hand giving the impression of a caring but authoritarian leader.



Side 1 opens with a wild rendition of The Beatles' "Birthday" which is re-entitled as the more popular "Happy Birthday". The original version, which is no less full of energy, was recorded in September 1968 and was included on the remarkable White Album a few months later.

A cover of the popular Bacharach-David song "This Guy Is In Love With You" follows. The original was recorded by trumpeter Herb Alpert in early 1968. In this recording Pietro Attila's English pronunciation is not exactly perfect and clearly shows some limits...

On Side 2 we find "Beggin'", a song which was made popular by The Four Seasons in 1967 - my favourite cut from the EP - and the slow-paced "Turn Around, Look at Me", a song written by Jerry Capeheart, which since its first version recorded by Glen Campbell in 1961 was also covered by The Lettermen, the Bee Gees and The Vogues.

The following clips offer a complete preview of the remastered EP, enjoy!

More information about Pietro Attila and The Warlocks is available here:

https://www.discogs.com/artist/2344028-Pietro-Attila-amp-The-Warlocks

https://rateyourmusic.com/artist/pietro_attila_and_the_warlocks

If you have any other useful information about Pietro Attila and The Warlocks or if you spot any dead links, please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

SAKURA (櫻花) "SAKURA GOES BOOM BOOM WITH THE QUESTS" (1967)

Ying Hua, best known by her stage name of Sakura Teng, was born in Muar, state of Johor, Malaysia, in May 1948. She grew up there, where she received her education in Chinese and English, but has always been mistaken for a Singaporean as she had been living in the republic until the mid '80s.

During her years in school, Sakura won many singing competitions as well as many public speaking awards. Despite being a top student, and having decided to become a singer, at the tender age of sixteen she quit school and moved to Singapore.

Her music career began in 1965, when she was just seventeen, at the now defunct New World, an amusement park located in the central area of Singapore.



On her path to fame, Sakura was lucky enough to meet Su Yin (舒雲), a.k.a. Henry Foo, a Singaporean singer, songwriter and lyricist, who was also the A&R manager for the Chinese section at Columbia / EMI.

He immediately recognized her potential, and in 1966 she was signed by the label. Her first 7" EP was an instant hit: it sold 25,000 copies and became the first in a very long series of successful releases which lasted until the early '80s.

Interestingly, her stage name is actually a literal translation of her Chinese name, which means 'cherry blossom' in Mandarin. Apparently she was given the nickname when she started singing Japanese numbers in Chinese during her early stage performances.

One side of the original inner sleeve shows many EMI Records goodies by local artists...

Sakura recorded many fabulous Mandarin covers of popular English songs and she was part of the pioneers who launched the Rock Movement in Singapore. Along with Rita Chao, with whom she joined forces on many recordings during the late '60s, they were both known as 'A Go-Go Queens of the Sixties'.

Sakura and Rita began performing as a double act in 1967, as both singers were doing well and EMI felt that pairing them would give both their careers a boost. Together they toured Singapore, Malaysia, Taiwan, Hong Kong and Japan, building a fan base at each port of call.

On stage, Chao usually played the part of the impish naif, while Sakura was the more mature half of the duo. They split up in the mid '70s but are still fondly remembered.

...the other side shows only international artists, with the exception of The Quests and The Surfers

During her heyday in the '60s and '70s, Sakura cut more than fifty records and she also came to be known as the 'Yodelling Singer' for her vocal 'trademark'.

She still is one of the most popular female Mandarin singers, and during her career she also recorded songs in many other languages including English, Japanese, Cantonese and Malay.

In 1985 Sakura relocated to the U.S.; since then she has quit recording but she kept on performing live until 2013, when she definitively retired at the age of 65.

Sakura and The Quests in session as they appear on the back cover of the album

"Sakura Goes Boom Boom With The Quests" includes the following tracks:

01. 檸檬樹 (Lemon Tree) (3:03)
02. 我愛牛郞 (I Love Cowboy) (2:57)
03. 我要輕輕地告訴你 (Aku Kechewa) (3:23)
04. 什麼道理 (Stupid Cupid) (2:52)
05. 牧童之歌 (I Don't Care If Tomorrow Never Comes) (2:53)
06. 做一對小夫妻 (I Need You) (3:10)
07. 真友愛 (Michelle) (2:37)
08. 心事放不下 (Morning Town Ride) (2:33)
09. 歡樂今宵 (2:12)
10. 隔壁的姞埌 (Boom Boom) (3:33)
11. 可愛的春天 (My Bonnie) (3:00)
12. 提醒你 (Like I Do) (2:20)

All tracks were remastered in February 2018 and are available in FLAC lossless format, along with complete artwork reconstruction and printable PDF files.

Please have a look at the comments section for the download link.



Preceded by three singles - all available here on Stereo Candies - Sakura's debut album was released sometime in early 1967 by Columbia / EMI in Singapore with catalogue number 33 ESX 602.

The front cover features a colourful and slightly psychedelic background drawing with dominant yellow and pink tones, with a superimposed picture of Sakura wearing a gold and black suit with impressively large sleeves... Of course I know the old proverb that says you can't judge a book by its cover, but even if I didn't know anything about this release I am sure I couldn't help but falling in love with it at first sight.

As the title clearly says, on this album Sakura is accompanied by The Quests, a legendary Singaporean group which was very active during the mid-late '60s, both as a backing unit - most notably for Sakura herself and Rita Chao - and as performers in their own right with a very long series of singles and four full-lenght albums.



Interestingly enough, the bottom part of the back cover includes a Max Factor ad: "Sakura also goes Bazaaz with Max Factor". I'm not sure about what 'bazaaz' means but I suppose it is used as a sort of magic word. A quick search led me to this page where I found an original Max Factor ad taken from a late '60s magazine - the one you can see above - which uses the same lettering chosen for the title of the album, as written on the front cover, and also features similar background drawings.

It never occurred to me that somehow the cover design of this album could be tied to a large international promotional campaign, but I easily guess that this is exactly what happened. This is another reason why I love doing these write-ups: there's always something else to be learned about a record, or more tiny details to discover, even after I had it in my shelves for years.

As a last note, according to Discogs the copy in my possession is not a first edition, it is a reprint made sometime after the EMI record factory in Singapore was established in June 1967. This second edition is easily identifiable from the black center labels, while the first has green labels which are also marked as "Made in Austrialia".



Side 1 opens with "檸檬樹 (Lemon Tree)", a Mandarin cover of a Folk tune written by Will Holt in the late '50s. The song has been recorded by many artists, including Peter, Paul and Mary (...available here...) and The Kingston Trio (...here). The most successful version was recorded by Trini Lopez in 1965.

"我愛牛郞 (I Love Cowboy)", entitled "我愛牛郞 (Cowboy Sweetheart)" on a previous EP, is a Mandarin cover of "I Want to Be a Cowboy's Sweetheart", a Country and Western song written and first recorded in 1935 by Rubye Blevins, who performed as Patsy Montana. You can listen to the original version here.

"我要輕輕地告訴你 (Aku Kechewa)" is a slow number written by Syed Ahmad Vinton, who played drums with The Antartics. The song was originally recorded with Malay lyrics in 1966 by Eddie Ahmad, with accompaniment provided by The Antartics themselves. The version recorded by Sakura has Mandarin lyrics and halfway through the song it offers a great solo by The Quests' lead guitarist Reggie Verghese.

"什麼道理 (Stupid Cupid)" is one of the wildest pieces included on the album. The song was written by Howard Greenfield and Neil Sedaka, and became a hit for Connie Francis in 1958. Verghese adds tons of distortion to his guitar sound, turning the original number into one of Sakura's best covers. Here's the original version for your reference.

Another picture of Sakura and The Quests in session

"牧童之歌 (I Don't Care If Tomorrow Never Comes)" is another Mandarin version of a famous song written and originally performed by American Country singer-songwriter Hank Williams; you can listen to the original version by clicking here. Back in 1966, this was Sakura's first published song to feature her trademark yodelling.

I am sorry but I can't tell you much about "做一對小夫妻 (I Need You)", the last track on the first side... Its simple title doesn't help, and the only related result I could find is this hilarious clip on YouTube; it seems that the song is the same... In his book "Beyond the Tea Dance", Joseph C. Pereira asserts that this is a cover of a Beatles track written by George Harrison... Maybe he's right, but I can't find any similarity at all between these two songs: anyone can help about this?

Side 2 starts with "真友愛 (Michelle)", a cover of the classic Beatles tune... Do you really need a link to the original version of this song?!? C'mon...

"心事放不下 (Morning Town Ride)" was originally a lullaby written and performed by Malvina Reynolds in 1957. The song was further popularized by The Seekers, who recorded it for the first time in 1964 bringing it to the charts in late 1966. Here's a link to their version.

Sakura in session

"歡樂今宵", which should translate with "Happy Tonight",  as mentioned by a kind visitor of this blog - in a comment at end of this post - is a cover of the song of the same name originally sung by Billie Tam (蓓蕾), which was recorded for the 1966 Shaw Brothers movie "歡樂青春 (The Joy of Spring)".

"隔壁的姞埌 (Boom Boom)" is a Mandarin cover of a song written by American Blues singer and guitarist John Lee Hooker, who recorded it in 1961. Musically, it is another wild piece that uses fuzz distortion in the same vein of "Stupid Cupid".

Approaching its end, the album includes two of the oldest recordings made by Sakura with The Quests that originally appeared on her debut EP back in 1966, where the accompanying band was mysteriously credited as Sounds Anonymous...

"可愛的春天 (My Bonnie)" is a traditional Scottish folk song which was also recorded by Tony Sheridan and The Beat Brothers - an alias for The Beatles! - in 1961 (...the original version is available here).

"提醒你 (Like I Do)"is a song written by Richard Manning based on a segment from "La danza delle ore" by Amilcare Ponchielli. This tune was first released and brought to success by Nancy Sinatra in the U.S. during early 1962 (...available here) and by Maureen Evans in the U.K. (...here).

The following clips offer a preview of the remastered album, enjoy "檸檬樹 (Lemon Tree)", "我愛牛郞 (I Love Cowboy)", "什麼道理 (Stupid Cupid)", "牧童之歌 (I Don't Care If Tomorrow Never Comes)", "做一對小夫妻 (I Need You)", "隔壁的姞埌 (Boom Boom)", "可愛的春天 (My Bonnie)" and "提醒你 (Like I Do)"!

More information about Sakura is available here:

http://www.discogs.com/artist/385495-Sakura-2

http://rateyourmusic.com/artist/%E6%AB%BB%E8%8A%B1

http://rateyourmusic.com/artist/rita_chao_and_sakura

http://questing.wordpress.com/2006/12/01/sakura-teng/

https://questing.wordpress.com/category/sakura-rita-duet-%E6%AB%BB%E8%8A%B1-%E6%B7%A9%E9%9B%B2/

http://singapore60smusic.blogspot.com/2009/01/sakura-teng-yodel-lady-who.html

http://mocamborainbow.blogspot.com/2008/07/sakura-teng.html

http://modcentric.blogspot.com/2007/06/sakura-pint-sized-livewire.html

http://modcentric.blogspot.com/2007/03/sakura-quests-go-boom.html

http://waxidermy.com/sakura-teng-st/

http://blog.wfmu.org/freeform/2007/10/365-days-295---.html

http://news.asiaone.com/news/showbiz/sakura-teng-says-goodbye

http://www.thesundaily.my/news/886328

https://www.flickr.com/photos/dk_gilbert/sets/72157625436183960/detail/

http://www.freewebs.com/ritachao/sakurateng.htm

http://marc-antoine-panda.over-blog.com/article-32061166.html

http://www.geocities.jp/a104gs/sakura.html

http://www.geocities.jp/a104gs/sakura.rita.chao.html

As usual, I'm still struggling to find somebody who can help me with translations:

if you can translate from Chinese to English please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you so much!

RITA CHAO (凌雲) "HANKY PANKY" (1967)

Rita Chao, best known to her Mandarin-speaking fans as 凌雲 (…Ling Yun, Ling Ying or Seow Mei-Mei, depending on your preferred source of information…), was born in Singapore, probably sometimes in 1949 or early 1950; she grew up there, where she received her education.

Anyway, according to some reports, her family originated from the city of Hangzhou (杭州), which is located in the Zhejiang Province (浙江省) in Eastern China, not so far from Shanghai (上海).

Rita, the youngest of six children with three brothers and two sisters, started singing at the tender age of 8 and was already working as a singer and actress at 14. At school she was not very interested in her academic studies, instead she excelled with performance arts: singing and acting.

Luckily enough, she was born in a family of artists: her grandmother, Zhao Yongchun (趙永春), was a known Chinese Opera singer, and her mother Jing Yu Xian (荊玉仙) was a Chinese Opera singer too. Growing up in this environment allowed her to be familiar with life in the entertainment business, and helped to mentor her future career.

Her parents and relatives saw her potential as an artist quite soon, and decided to pull Rita out of school to follow the Opera troupe on their performances. Rita was given chances to perform Chinese Opera on stage and her performances were very good.

It is unclear when and where Rita embraced Pop music... However, at the end of 1965 - when she was just 15 - while touring Malaysia with her former group, she joined a band called Super XX.

In the meantime Zhao Yongchun, determined to turn her beloved granddaughter into a star, increased her vocal training, became her manager and successfully arranged for her to perform in various nightclubs in Singapore.

Rita was discovered on the local entertainment scene by Su Yin (舒雲), a.k.a. Henry Foo, a Singaporean singer, songwriter and lyricist, who at the time was also the A&R manager for the Chinese section at Columbia / EMI.

In 1966 she was signed by the label and released her very first 7" EP. On this record, she was paired with the top guitar band from Singapore, The Quests. The EP sold over 50.000 copies, and for Rita it was instant stardom.

During those days Rita met Sakura Teng (櫻花). As the story goes, Sakura was already a star singing at various Cabarets throughout South East Asia. On one occasion before going on stage, Sakura and Rita were backstage talking; they instantly clicked and started singing together. Sakura thought they had a very distinctive sound and that night she decided to add a segment to the show in which they would sing a duet. Obviously, they received a stunning reaction from the public and decided to join forces...

Well, probably that is just the romantic version of the story...: since both singers were doing quite well, it is an easy guess that EMI felt that pairing them would give both their careers a boost. In 1967 Rita and Sakura began performing as a double act and constantly toured Singapore, Malaysia, Taiwan, Hong Kong and Japan, building a fan base at each port of call.



During her heyday Rita Chao recorded many great Mandarin covers of popular English songs and she was part of the pioneers who launched the Rock Movement in Singapore. Along with Sakura, they were both known as 'A Go-Go Queens of the Sixties"; in those days, they used to perform at the now defunct New World Amusement Park and they both lived in Jalan Besar.

Rita's career lasted about ten years. In 1975, when her last solo album was released, she declared in an interview that she was about to make a movie in Hong Kong and that she was tired of singing all the time... In 1980-81 she briefly returned on the scene releasing two albums with Sakura, just before disappearing completely.

For more than three decades there has been no news about her in the media, only during recent years unconfirmed information appeared on the Internet that she may have been suffering from a psychiatric illness that required long-term treatment.

In early February 2015 the news about her death spreaded: Rita's 90-years-old mother confirmed that the former singer passed away in July 2014; she has been suffering from colon cancer for about three years when she died at the Singapore General Hospital surrounded by her mother, brothers and sisters. Her ashes were scattered at sea after a short wake and funeral attended by family and friends. The family did not inform show business friends as they wanted the past to be forgotten...

Most of the information included in this post was translated by our best friend Brian (...thank you!!!) from a rare article found in the May 19, 1970 edition of "Hong Kong TV Magazine" available in this post on the great macaenese5354 blog.

I am also in debt with Joseph C. Pereira, whose books "Apache Over Singapore" and "Beyond the Tea Dance" are a constant and invaluable source of information and inspiration, thanks!!!

Here's the track list for this 7" EP:

01. Hanky Panky (3:11)
02. 薄情郎 (He's Untrue) (3:24)
03. 去年今天 (Lonely Heart) (3:36)
04. 媽媽的勸告 (Bachelor Boy) (2:07)

All tracks were remastered from vinyl in June 2017 and are available in FLAC lossless format, along with scans of the original item.

Please have a look at the comments section for the download link.



"Hanky Panky" was released by EMI /Columbia in Singapore sometimes during 1967. It is one of the most sought after Rita Chao EPs, and therefore one of the most expensive. As far as I know, two different editions of this record exist: the main difference between them is the background colour of the front cover, which is available in blue (here) and purple (the copy on offer in this post); the back cover also uses some different colours for the lettering and the label's logo. Once again, the backing band duties are performed by The Quests and all numbers were also included on Rita's debut album. Now let's have a closer look at each track.

Side 1 opens with the title track "Hanky Panky", a song written in 1963 by Jeff Barry and Ellie Greenwich for their group, The Raindrops. It was famously remade by rock group Tommy James and the Shondells, who took it to No. 1 in the United States in 1966. On this version, The Quests add their trademark guitar sound and wild drumming, turning Rita's performance in a Garage classic. Here's a link to The Raindrops' original version.

I wasn't able to find any information about "薄情郎 (He's Untrue)", I would believe that it is an original composition, but the presence of a Mandarin + English title seems to prove the contrary... Maybe some reader of this blog can shed some light on the subject? Anyway, this track features Reggie Vergese in top form offering a great performance on acoustic guitar, including a mandolin-style solo.



Side 2 starts with "去年今天 (Lonely Heart)", a Mandarin cover of The Thunderbirds' "My Lonely Heart", one of the most popular original compositions in the history of Singapore Pop Music, which was written in 1966 by Harvey Fitzgerald - the band's lead singer - and Gerry Pasqual, their manager. The magic of the original version is reinforced by Rita's memorable performance and the evocative Mandarin lyrics would send shivers down the spine of the coldest human on Earth. This is a M-A-S-T-E-R-P-I-E-C-E!!!

"媽媽的勸告 (Bachelor Boy)", the last track on the EP, is a cover of a song written by Cliff Richard and Bruce Welch. Originally performed by Cliff Richard with musical accompaniment by The Shadows in 1963, it was also included on the successful movie "Summer Holidays".

The following clips offer a complete preview of the remastered EP, enjoy!

More information about Rita Chao is available here:

http://www.discogs.com/artist/385494-Rita-Chao

https://rateyourmusic.com/artist/%E5%87%8C%E9%9B%B2

https://rateyourmusic.com/artist/rita_chao_and_sakura

http://blog.roodo.com/macaenese5354/archives/25610568.html

http://blog.roodo.com/macaenese5354/archives/25707290.html

https://questing.wordpress.com/category/rita-chao-%E5%87%8C%E9%9B%B2/

https://questing.wordpress.com/category/sakura-rita-duet-%E6%AB%BB%E8%8A%B1-%E6%B7%A9%E9%9B%B2/

http://illfolks.blogspot.com/2014/04/rita-chao-chaod-mary-proud-mary-in.html

http://mocamborainbow.blogspot.com/2008/07/rita-chao.html

http://www.tofu-magazine.net/newVersion/pages/gogo.html

http://www.smartshanghai.com/articles/nightlife/music-tuesday-far-out-east-2

http://singapore60smusic.blogspot.com/2009/01/rita-chao-pop-go-go-for-william-dad.html

http://en.wikipedia.org/wiki/Music_of_Singapore

https://www.flickr.com/photos/dk_gilbert/sets/72157625310673913

http://www.geocities.jp/a104gs/rita.chao.html

http://www.geocities.jp/a104gs/rita.lp.html

http://www.geocities.jp/a104gs/sakura.rita.chao.html

http://women.asiaone.com/women/people/agogo-princess-rita-chao-died-6-months-ago

http://www.straitstimes.com/lifestyle/entertainment/a-go-go-queen-rita-chao-dies-of-colon-cancer

http://www.lollipop.sg/content/partner-shocked-news-agogo-princess-rita-chao-died-6-months-ago

I'm still struggling to find somebody who can help me with translations:

if you can translate from Chinese to English please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you so much!