Tuesday, 14 February 2017


Giusto Pio, January 11, 1926 – February 12, 2017

«When I think about the events of my life and the wonderful people I met, I can only be grateful to God for what happened to me.»

[Giusto Pio, translated from the book "Dedicato a Giusto Pio"]

Tuesday, 7 February 2017


I've been on the road, I've been on vacation
I've been traveling light to reach my final destination
Now I'm coming home

So tell the girls that I am back in town, you'd better tell them to beware
Where they may go or they might try to hide, I follow on and I'll be there

So tell the girls that I am back in town, and if it's true I do not know
That every girl around had missed me since I decided to go

I could be your friend, I could be your stranger
I could be the one your mother said would be your danger
Now it's up to you

So tell the girls that I am back in town, you'd better tell them to beware
Where they may go or they might try to hide, I follow on and I'll be there

So tell the girls that I am back in town and if it's true I do not know
That every girl around had missed me since I decided to go

[excerpt from the lyrics of "So Tell the Girls That I'm Back in Town" by Jay-Jay Johanson, 1996]

Jay-Jay Johanson is one of my heroes. Yes, no less than that. So, what can I add? I remember the very first time I watched the promotional clip for his first single "It Hurts Me So" back in 1996: what a coloured and strong voice in such a pale and frail body!

The lyrics and general atmosphere of the song have instantly entrapped me in melancholy and I never recovered since then... No, seriously, I have thought about it many times and now I would like to publicly state that, in this life, Jay-Jay Johanson is the only worthy artist that I discovered stumbling by chance upon MTV at 3:00 a.m., really! Since then I enjoyed each and every album he has made and I never get tired of listening to them.

A few years ago, in the early days of the blog, I already dedicated a few posts to Jay-Jay and you can find them here. The collection of edits, remixes, live recordings, rare tracks, etc. that I'm delighted to feature in this post covers the years 1996-2000 or, if you prefer, his first three albums, namely "Whiskey", "Tattoo" and "Poison". Each of these releases is a trip hop M-A-S-T-E-R-P-I-E-C-E that can easily stand between Portishead's first two albums without being ashamed.

Jay-Jay Johanson at home in Stockholm, 1997

In his twenty-year career, Jay-Jay Johanson has released ten albums and is currently working on his eleventh full-lenght release that will be released sometimes in mid/late 2017. His latest available offering is entitled "Opium" and was released in 2015 on Kwaidan Records. Needless to say that it is another fine example of his great art and I strongly encourage you to check it out, you won't regret it.

The following review of "Opium" was written by French journalist Pierre Siankowski; it fairly summarize Jay-Jay's distinctive features and was used as the album's official press-release:

«It was in 1996 that Jay-Jay Johanson, a young man from a cold climate, fascinated by the Bristol sound they called trip-hop and Portishead in particular, first tapped delicately on our eardrums. The intoxicating album that definitively put this rare and elegant Swede on the map was called "Whiskey". It was the beginning of an enthralling adventure. In only a few songs he revealed a family tree that spread its roots far and wide: on one branch Lee Hazlewood, or pop from Talk Talk or Harry Nilsson, on the other John Coltrane with Johnny Hartman, and a whole army of calm jazz or symphonic recordings sampled from everywhere imaginable. Almost twenty years later he has returned with an incredible new album. This new release is called "Opium" and it contains the very essence of Johanson's music: an ease with inventing melodies, a voice that gently caresses, and the jacked up, heady rhythms that lift and carry the songs. From the peaceful harmonica opening of "Drowsy / Too Young To Say Good Night" to the smoke-wreathed love song "I Don't Know Much About Loving", via titles with a sporadic and light groove ("NDE", "Alone Too Long"), "Opium" is a courageous offering. Johanson opens his heart with fearlessness and modesty, gracefully lowering his guard and evoking the questions that torment men of his age: love, solitude, immaturity. The songwriting is unerring, the words have a suppressed poetry. This new Johanson is the work of a guy who has survived the avalanches, who is no longer looking for answers and is content to sketch out the perspectives in as many songs. Some titles are serious ("Harakiri"), but others immediately take up the reins casting a more gentle, peaceful light, like "Scarecrow," a collaboration with Robin Guthrie that would not have sounded out of place on a Cocteau Twins album, or of the strange positivity of "Be Yourself" or "I Love Him So". The strength of "Opium" is that it asks questions that don't necessarily have an answer; it offers a collection of songs freed from any certitude but which convince through their modesty, through their precision. In short, Jay-Jay at his best.»

Jay-Jay Johanson, 1997

Here's the tracklist of "Travelling Light 1996-2000":

Disc 1

01. It Hurts Me So (Single Edit) (4:14)
02. So Tell the Girls That I Am Back In Town (Radio Edit) (3:49)
03. Mana Mana Mana Mana (Bang Bang Remix) (4:09)
04. Milan. Madrid. Chicago. Paris. (Radio Edit) (3:52)
05. BANG BANG feat. JAY-JAY JOHANSON - Two Fingers (4:32)
06. She's Mine But I'm Not Hers (Remix by Cherno) (4:23)
07. Alone Again (Remix - An Arthur Ashe Experience) (3:31)
08. Keep It A Secret (Radio Edit) (4:01)
09. Believe In Us (Piano Mix by Laurent Levesque) (4:08)
10. I Fantasize of You (Black Session, 30.04.97) (5:40)
11. The Girl I Love Is Gone (Black Session, 30.04.97) (3:53)
12. It Hurts Me So (Black Session, 30.04.97) (4:54)
13. So Tell the Girls That I'm Back In Town (Black Session, 30.04.97) (5:06)
14. Mana Mana Mana Mana (Black Session, 30.04.97) (5:50)
15. I'm Older Now (Black Session, 30.04.97) (4:18)
16. Suicide Is Painless (Black Session, 30.04.97) (3:32)
17. BANG BANG feat. JAY-JAY JOHANSON - Two Fingers (Instrumental) (4:34)

Disc 2

01. It Hurts Me so (Live at Studio Eefinanny, Stockholm, 1997) (5:52)
02. Milan. Madrid. Chicago. Paris. (Live in Strasbourg, 15.11.97) (5:00)
03. Mana Mana Mana Mana (Live in Strasbourg, 15.11.97) (5:22)
04. I'm Older Now (Live in Strasbourg, 15.11.97) (4:16)
05. She's Mine But I'm Not Hers (Live in Strasbourg, 15.11.97) (3:24)
06. Keep It a Secret (Remix - A Tribute To Venus & Serena) (4:25)
07. Believe In Us (Trip Listening Mix by Amadeus Tapioka) (4:46)
08. Far Away (Radio Edit) (4:12)
09. She's Mine But I'm Not Hers (Remix by Robin Guthrie) (4:25)
10. Neon Lights (Kraftwerk cover) (5:43)
11. Fire (Deep Deep Wood Mix) (3:10)
12. La Confusion des Genres Theme (Vocal Version) (3:22)
13. La Confusion des Genres End Theme (Alone Again Remix 2) (3:47)
14. Seven Inch (Vocals by Sadie & Alex Wollf) (4:56)
15. Alone Again ('La Confusion des Genres' hidden track) (1:53)
16. It Hurts Me So (Kareokee Version) (6:12)
      FIDGET feat. JAY-JAY JOHANSON - Hey Little Sister (3:23)

All selections were compiled and mastered in late 2016 / early 2017 and are available in FLAC lossless format along with printable artwork.

Before burning this compilation to CD-R using the provided CUE files you must convert the original FLAC audio file to WAV format using an appropriate software. Please have a look here if you need some help.

As usual, please have a look at the comments for the download link.

Some of the tracks contained on "Whiskey" - or more probably, the whole album - were recorded as early as 1994-1995, while "Poison" was probably already finished by the end of 1999... The "1996-2000" part in the title of this collection refers to the years the tracks were released for the first time. Here's more details about them:

tracks 1.01 and 2.16a are taken from "It Hurts Me So", CD single, 04.04.1996

track 1.02 is taken from the first edition of "So Tell the Girls That I Am Back In Town", CD single, 23.07.1996

track 2.16b is taken from Fidget's "Stop Losing", CD single, 1997

tracks 1.03 and 2.01 are taken from "Mana Mana Mana Mana", CD single, 1997

tracks from 1.10 to 1.16 were recorded live at Studio 105, Paris, France, 30.04.1997

tracks from 1.10 to 1.14 were remastered from "The Black Sessions #104", a CD-R bootleg released by Sangatte Records sometimes in 2004

track 1.15 is taken from the second edition of "So Tell the Girls That I Am Back In Town", CD single, 1997

track 1.16 is taken from "Un Automne 97", a various artists CD that was released as a supplement to French magaine Les Inrockuptibles in October 1997

tracks 1.05 and 1.17 are taken from Bang Bang's "Two Fingers", promotional CD single, 1998

track 1.04 is taken from "Milan. Madrid. Chicago. Paris.", CD single, 07.05.1998

tracks from 2.02 to 2.05 were recorded live in Strasbourg, 15.11.1997

tracks from 2.02 to 2.04 are taken from "Jay-Jay Goes Live", promotional CD single, 1998

track 1.06, 2.05 and 2.09 are taken from from "She's Mine But I'm Not Hers", CD single, 10.09.1998

tracks 1.07, 1.08 and 2.06 are taken from "Keep It a Secret", CD single, 11.02.2000

tracks 2.10 and 2.11 are bonus tracks taken the French edition of "Poison", CD, French edition, 11.04.2000

tracks 1.09 and 2.07 are taken from "Believe In Us", CD single, 05.07.2000

tracks from 2.12 to 2.15 are taken from "La Confusion des Genres", original soundtrack CD, 2000

track 2.08 is taken from "Best of 1996-2013", compilation CD, 2013

The following is a rich selection of original promotional clips, remixes and live tracks that are pertinent to the collection presented in this post, enjoy!

More information about Jay-Jay Johanson is available here:














All your inputs are more than welcome: you can reach me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

Tuesday, 31 January 2017


I'm a dirty little hustler, I am a dream sleaze disease
You know I'm nitro injected, I am your trembling love machine
Baby make my motor burn, make it burn with your gasoline

Welcome to your forbidden dream, welcome to my hidden dream
Welcome to our dreams, in a black cadillac we'll meet (Hot in Hollywood)
Try my candy stick so sweet (Hot in Hollywood)
A glamourous loving treat (Hot in Hollywood)
Baby turn on the heat

I'm a cool rock'n'roller with a hell of a heartbreak plan
I'm the hip shaking daddy, I'm your loving hoochie-coochie man
Sweet drops we'll be licking, in fantasy lipstick land

Welcome to your forbidden dream, welcome to my hidden dream
Welcome to our dreams, in a black cadillac we'll meet (Hot in Hollywood)
Try my candy stick so sweet (Hot in Hollywood)
A glamourous loving treat (Hot in Hollywood)
Baby turn on the heat

[From the lyrics of "Hot in Hollywood"]

Sheep Records was a Swiss underground label specialized in Garage-Rock, Surf, Lounge and other Rock'n'Roll oddities. Run by Christian Müller from Zürich, along with friends Andi Frick and Andreas Egi, it was active from 1996 to 2004 and published about 30 releases, mostly on 7" vinyl singles.

In october 2006, after about two years of hiatus, all the contents of the now defunct Sheep Records website were deleted from the Internet, and replaced with a blank page announcing that "Der Kebab ist gegessen" ("The kebab is eaten"), a last goodbye and a reference to the label's cataloguing system that included the prefix "kebab" for vinyl releases and "gigot" for CD releases.

The twentieth Sheep Records release was a CD single by Swiss Glam-Punk band Gutter Queens: as far as I know, this is the only Sheep release that was exclusively pressed in this format. Since the single is a sort of 'enhanced' re-press of the band's debut 7" single - also released by Sheep the previous year, see here - it makes sense. The single was released in August 2001 and, although it was indicated as an 'unlimited' release on the label's website, I guess that no more than 1.000 or 2.000 copies were pressed.

Here's the track list and the credits:

01. Hot in Hollywood (4:14)
02. Get Glamed With Rock'n'Roll (3:41)
03. Teenage Wasteland (3:12)
04. Suffragette City (3:05)

Recorded, mixed and mastered in August 2000 (tracks 02 and 03) and June 2001 (tracks 01 and 04) at the Artag Studio in Zürich.

Engineer: Voco FauxPass

Produced by Gutter Queens and Voco FauxPass.

All songs written by Andreas Ziegler, except "Suffragette City" by David Bowie.

All songs performed by Gutter Queens.

With the help of Popkredit der Stadt Zürich, Cassinelli-Vogel-Stiftung, Kanton Schaffhausen, Stadt Winterthur, Voco FauxPass, Linda Bertin (backing vocals on "Get Glamed With Rock'n'Roll" and "Hot in Hollywood"), Dieter Enz, Chris and Egi.

Special thanks to: Gavin Maitland, Beppe Lanna, vipcars.ch

Cover photo by Dieter Enz.

All tracks were remastered from the original CD single release in January 2017, and are available in FLAC lossless format, along with scans of the complete original artworks.

As usual, please have a look at the comments for the download link.

The following text is taken from the original Sheep Records press-release...:

«Sheep Records releases a silver disc (yes a CD!) by our beautiful glam punks the Gutter Queens. "Get Glamed With Rock'n'Roll" and "Teenage Wasteland" already appeared in their almost sold out debut 7". This release brings you also "Hot in Hollywood" and "Suffragette City" by David Bowie. Join the Gutter Queens in their limousine and take a trip to Sleazeland.»

...and here's an excerpt from the Gutter Queens bio available on their own website:

«The Gutter Queens call themselves Rock Sluts and are probably the most exciting and spectacular band to come out of Switzerland. They're ready to conquer the world with lots of charme, make-up, high heels, feather boas, glitz and glamour, and are the "new Definition of Glam Rock". With a sound reminding of the good old days when Rock'n'Roll was a lifestyle, they create a fresh, high energetic and unique mix of 70s Glam, 80s Sleaze and a delightful scent of Punk-Rock. Live they're a sight to see and outrage on stage. A wild show topped with glamtastic outfits, in-your-face attitude and an untamed Rock'n'Roll. Sometimes they get compared to bands like the Stooges, Hanoi Rocks, Cramps and of course the New York Dolls, which certainly had an impact on their attitude and music. Furthermore they count Mötley Crüe, Turbonegro and Guns N' Roses to their influences. Originally founded in Spring 1992 in Schaffhausen, they're now based in Zürich.»

Gutter Queens, circa 2001-2002

The following clips offer a preview of the remastered single, enjoy "Get Glamed With Rock'n'Roll" and the official music videos of "Teenage Wasteland" and "Suffragette City"!

In early 2002 Gutter Queens has self-released an album entitled "Viva Las Divas", which actually is their only available release. I strongly encourage you to support the band and purchase it on iTunes or Amazon. The album is great, you won't regret it!

More information about Sheep Records and the Gutter Queens is available here:





The Sheep Records story will continue in the next months. All your inputs are more than welcome, if you want to get in touch please write to stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

Saturday, 21 January 2017


Wenn ich dich sehe KOMMA
Der Junge macht mir Kummer
Dass er mir sagt GÄNSEFÜSSCHEN
Bitte komm mit zu mir
Ja, wann denn FRAGEZEICHEN
Heute um PUNKT vier

Oh oh AUSRUFEZEICHEN, es wäre so schön
Oh oh AUSRUFEZEICHEN, es wäre so schön
Ich in deinen Armen, GÄNSEFÜSSCHEN und PUNKT

Heute um PUNKT vier
SEMIKOLON seh ich dich
Du wirst mich abholen
Dann machen wir BINDESTRICH
Du sagst zu mir GÄNSEFÜSSCHEN
Bitte komm mit zu mir
Es liegt allein an dir

Oh oh AUSRUFEZEICHEN, es wäre so schön
Oh oh AUSRUFEZEICHEN, es wäre so schön
Ich in deinen Armen, GÄNSEFÜSSCHEN und PUNKT

[From the lyrics of "Dactylo-Rock"]

"Dactylo Rock (Sekretärinnen-Rock)" 12" single, front

During winter 1992-93, Françoise Cactus and Brezel Göring were living in the same neighborhood in Berlin and the legend has it that they casually met while shopping in a bakery in Adalbertstraße.

Françoise was about to close her experience with the French girl-garage-punk-R’n'R-Band Lolitas (...they released six albums in Germany and France and toured all over Europe and America, for more information about them have a look here...) and Brezel was keeping himself busy with an Experimental-noise-copyright-ignoring-tapeloop-soundeffects project called Sigmund Freud Experience (...he released three vinyl records under this guise, 100 copies each...).

In 1993 they started playing together. Their first recording was a ten minute cooking-recipe, in which all ingredients had sexual connotations. The recording is sadly lost... In 1994 they started rehearsaling and recording in Hamburg at the Alien Sound Studio of Peter Stein, and began to perform concerts in small venues in Berlin and Germany.

In those early days, the band logo consisted of two tits that were originally painted on a mix-tape Françoise made for Brezel entitled "Stereo Total", and I easily guess this is how the band's name was born... The logo was later shown on the backside of their first album "Oh Ah"; here you can have a look at the inlay-card of the CD version.

At this time the line-up included Françoise (vocals and drums), Brezel (vocals, guitar, organ and synthesizers) and Lesley Campell from Scotland (distorted guitar). With their unusual mix of music influences and languages, it wasn't easy then to find a label... The band used to play French Chanson, Disco, Rockabilly and Garage in a very minimal, simplified, essential way, often with self-built guitars and cheap electronics; lyrics were both written in French and German.

"Dactylo Rock (Sekretärinnen-Rock)" 12" single, back

At last, in 1995 Desert Records released their first 7" EP entitled "Allo... J'ecoute...", available here on Stereo Candies. This single is strongly linked to Lolitas, in fact the track "Je suis venu te dire que je m'en vais" was recorded in New Orleans by Alex Chilton - who had produced the group's "Fusée d'amour" back in 1989 - and "Avec ma valise" was originally included on "Séries Américaines" in 1987.

During the same year, Palestinian bassist Ghazi Barakat, a.k.a. Iznogood - ex member of the Hardcore / Experimental combo Burst Appendix - joined in and for some time the band became a quartet.

In January 1996, Stereo Total finally released their first album entitled "Oh Ah", which included tracks recorded during 1994 and 1995 at the aforementioned Alien Sound Studio in Hamburg, and a lot of 4-track home recordings.

The CD version of the album was published in Germany by Peace 95, while the vinyl edition came in the form of a 2.000 copies limited edition LP on Little Teddy Recordings; these were divided into four different colours, with respectively 500 copies in black, translucent red, translucent blue and clear translucent.

The album spawned two singles which, once again, were divided equally betweeen the labels: Peace 95 took care about the release of the "Miau Miau" 7" EP, available here on Stereo Candies, while Little Teddy Recordings released "Dactylo Rock" in the form of a CD single.

At the same time, a 500 copies white label 12" blue vinyl of "Dactylo Rock" marked the beginning of Stereo Total's tenure at Bungalow and, as you already guessed, today is the subject of this post.

A picture taken during the same session the produced the "Dactylo Rock" CD-single cover, 1996

Here's the track list for this release:

01. Dactylo Rock (Sekretärinnen-Rock) (2:34)
02. Dactylo Rock (MS 20 Dactylo by Chrislo Haas) (2:22)
03. Dactylo Rock (Tijuana Dactylo by Sons of '68) (1:48)
04. Dactylo Rock (Atatak-Mix by A Certain Frank) (2:36)
05. Dactylo Rock (Dactylo Pop by Pop Tarts) (2:07)
06. Dactylo Rock (Hyper Modern Jazz Mix by Alec Empire) (4:10)
07. Dactylo Rock (Sekretärinnen Inferno by Le Hammond Inferno) (4:44)
08. Dactylo Rock (Bossa Dactylo by Sons of '68) (2:20)

All tracks were remastered from the original CD single and 12" vinyl release in January 2017, and are available in FLAC lossless format, along with scans of the complete original artworks.

As usual, please have a look at the comments for the download link.

"Dactylo Rock (Sekretärinnen-Rock)" CD single, front

The "Dactylo Rock (Sekretärinnen-Rock)" 12" single was one of the earliest records released by Bungalow, the great Pop and Electronica German label founded in the mid '90s by Marcus Liesenfeld and Holger Beier a.k.a. Le Hammond Inferno. Compared to the original CD single issued by Little Teddy Recordings, this release offers an improved track list, with a total of eight tracks instead of seven.

The record is limited to 500 hand-numbered copies. The number of each copy is usually written on one of the white center-labels, but the copy in my possession is not numbered, so I speculate that a few more than 500 copies exist, or maybe not all of them were numbered... The colour of the vinyl itself, the transparent stickered sleeve and the limited pressing make it a nice collectable item anyway.

Side A opens with the original version of "Dactylo Rock (Sekretärinnen-Rock)", a track that has become a favourite during live concerts and perfectly expresses Stereo Total's ability to create simple but very effective little songs. The German lyrics written by Françoise Cactus offer many puns based on the names of punctuation marks as used in written and printed text, and the basic rhythm track is aptly performed on a... typewriter!

Chrislo Haas, best known as founder of the seminal act Liaisons Dangereuses and early member of Der Plan and Deutsch Amerikanische Freundschaft, delivers a minimal remix which, according to its title, features electronic sounds created with the glorious Korg MS-20 synthesizer. On the CD single this remix is entitled "Chrislos Sekretärin", but the version is just the same.

A "Tijuana Dactylo" version performed by the mysterious Sons of '68 follows. As per its title, the song is played in a Lo-Fi Mariachi style with a faster tempo and French lyrics. In my opinion Sons of '68 is just an alias for Stereo Total themselves... Of course I may be wrong, but this version sounds like a garage rehearsal with guest trumpeteers, and the voice belongs to Françoise Cactus beyond the shadow of a doubt...

First side ends with the "Atatak-Mix" created by A Certain Frank, who are no less than the founders of the German Ata Tak label. Their version is close to the original, but adds interesting tape-machine noises, samples and dance floor-friendly elements.

"Dactylo Rock (Sekretärinnen-Rock)" CD single, back

As first track on Side B we find "Dactylo Pop" by Pop Tarts, a now disbanded young Pop/Punk German band that we'll hopefully be able to feature on this blog in the future. Just like much of their early output, their contribution was recorded live in a Lower than Lo Lo-Fi mode, with rough samples layered on top... You can't help but have a fondness for them!

An "Hyper Modern Jazz Mix" by Alec Empire follows. This version is entitled "Ausrufezeichen" on the CD single track list, but it is the same mix... I must admit that I'm not a big fan of Empire, although I enjoyed some of his earliest work, "Generation Star Wars" above all. I find the 13/27 rhythm track (...or whichever its time signature is...) mostly irritating, and in my opinion the only tiny vocal element sampled from the original is not enough to call this a remix: it is a completely different track and, although variety is usually a positive element when you collect several remixes in a single release, it doesn't fit quite well with the rest of the material, sorry.

Le Hammond Inferno, a.k.a. the Bungalow Records bosses deliver their "Sekretärinnen Inferno" remix, which is a cavalcade through different music styles that also offer a sample of their, ehm... sampling techniques and subtle sense of humour. Well done!

The single ends with another version created by the Sons of '68, entitled "Bossa Dactylo". As the title implies, the song is played in a vague Bossa nova style. Once again this seems to be a live recording and the lyrics are sung in French. Strangely enough this version was not included on the CD single, but was later added as a bonus track on the "Oh Ah" CD released by Bungalow in 1998, along with the aforementioned "Dactylo Pop" version created by Pop Tarts.

Here's the short credits list that appears on the CD single:

Mastering: C-Sa

Cover by Sabina Maria Van Der Linden.

Photo by Thomas Purwin.

Berlin '96

"Dactylo Rock (Sekretärinnen-Rock)" CD single, disc

The following clips offers a preview of the remastered single, enjoy four "Dactylo Rock" remixes by Chrislo Haas, A Certain Frank, Le Hammond Inferno and Sons of '68!

As a bonus, here's the original videoclip for "Dactylo Rock"...

...and a 2013 live performance of the same song filmed in Leipzig, enjoy!

More information about Bungalow and Stereo Total is available here:












If you have any other useful information about Stereo Total - especially corrections and improvements to this post - or if you spot any dead links, please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

Thursday, 29 December 2016

PANCY LAU (劉鳳屏) "莫負青春" (1970)

Pancy Lau (Lau Fung Ping, 劉鳳屏 or 刘鳳屏, also referred to as Liu Feng Ping) was born sometimes in the late 40s / early 50s in a family of musicians; her father Lau Bak Lok (劉伯樂) - also known as Tin Ngai (天涯) - was a well-known Cantonese Opera Star. He was her very first music teacher, and guided her through the entertainment world.

Her career started when she was around 8 or 9 years old singing Cantonese Opera. As a teenager she transitioned to singing songs she enjoyed: Pop music. During the early 60s she participated two times in the Sing Tao Daily Singing Competition in Hong Kong with no significant results.

In 1965 at last she won the Mandarin section of the 6th edition of the contest with the song "三年" (Three Years). Upon winning the competition, she became a resident singer at the prestigious Golden Crown Night Club (金冠).

Television Broadcasts Limited (電視廣播有限公司), commonly known as TVB, commenced broadcasting in Hong Kong on 19 November 1967. Pancy Lau was one of the first musical artists who participated in the popular show "歡樂今宵" (Enjoy Yourself Tonight), which was the longest running variety show in Hong Kong's television history.

In 1968 Fung Hang Records released her debut album entitled "My Heart Is Beating - 我的心蹦蹦跳". The album was the first in a long series of recordings that continued for more than fifteen years.

Following two EPs entitled "水長流" ("Water Flows Long") and "山前山後百花开" ("When the Flowers Bloom On Mount Qian Shan"), Pancy Lau's second album was finally published in late 1969. "快回頭望一望" ("Quickly Turn Around and Look"), contained twelve songs, including the eight tracks already released on her previous EPs.

The record was a huge success with no less than four editions published - and sometimes also bootlegged - by different labels in Hong Kong, Malaysia, Singapore and Taiwan. At the time, a lot of popular music was coming from being featured on television or were theme songs from television drama series. The album, however, did not need any push from the media to become an instant hit, as it contained enough fresh material to estabilish itself as a modern classic.

It's not easy to come up with an exact chronology of Pancy Lau's early output because in a few years she released many records and none of them includes a release date. I suppose that FHEP 623 "莫負青春" (Don't Turn Your Back on Youth), the subject of this post, was released in 1970 but I'm not completely sure about it...

Anyway, as a matter of fact, all the four songs on the EP were also included on Pancy's third album, "劉鳳屏之歌" (Pancy Lau's Songs), released by New Wave Record Co. (新風) in 1970, which is pictured on the back cover along with two other previously released EPs.

For a more detailed biography of Pancy Lau, please have a look at this other post of mine: "The Very Best of Pancy Lau Volume 1 [1968-70]".

Pancy Lau, circa 1969

Here's the track list for this 7" EP:

01. 莫負青春 (2:19)
02. 我還是永遠愛著你 (2:46)
03. 暗淡的月 (2:51)
04. 淚的衣裳 (2:14)

All tracks were remastered from the original vinyl release in December 2016 and are available in FLAC lossless format, along with scans of the complete original artwork.

As usual, please have a look at the comments for the download link.

Here's what I discovered searching information about the songs included on this EP:

"莫負青春" (Don't Turn Your Back on Youth) is a song from the movie with the same title; it was originally performed in 1947 by singer / actress 周璇 (Zhou Xuan), one of China's seven great singing stars. You can listen and watch the original version here.

"我還是永遠愛著你" (I Will Still Love You Forever) is an old Taiwanese folk love song, and during the years it has been performed by many famous female singers including 姚蘇蓉 (Yao Su Rong), 鄧麗君 (Teresa Teng), 湯蘭花 (Tang Lang Hwa) and 陳芬蘭 (Chen Fen Lan).

"暗淡的月"(A Dim Moon) is a cover of a Taiwanese pop song originally written and performed by 吳晉淮 (Wu Jin-huai) in 1957. The original version is available here.

"淚的衣裳" (Dress of Tears) is a Mandarin version of a Japanese song originally recorded by 翁倩玉 (Judy Ongg) in 1969. This was also part of the repertoire of 姚蘇蓉 (Yao Su Rong), 謝雷 (Xie Lei), 林竹君 (Lena Lim) and many more...

The following clips offer a preview of the remastered EP, enjoy the title track "莫負青春" (Don't Turn Your Back on Youth) and "淚的衣裳" (Dress of Tears)!

More information about Pancy Lau is available here:















I'm currently trying to compile a Pancy Lau exhaustive discography, my work-in-progress is available here.

All my posts dedicated to Pancy Lau are available here.

As a last note, I'm still struggling to find somebody who can help me with translations:

if you can translate from Chinese to English please get in touch with me at stereocandies [at] hotmail [dot] com
or leave a comment in the box below, thank you so much!

Tuesday, 20 December 2016


It's been more than five years since I started this blog and, whatever the reason, I never posted any Christmas music. Well, I believe it's never too late for a change, so at this particular time of the year I decided to treat you with "Christmas A'Go-Go", a 7" EP by The Wandy Five.

The four instrumentals on this record are easily available on other blogs and on YouTube, but I guess that this is the first time they are presented in a clean remastered version. A small present for all the followers of Stereo Candies, if you want.

In 2017 I will keep on working to present more and more interesting releases. They won't be as many as I would like, but I'll do my best as usual in the few spare time that I am allowed.

If you enjoy the blog then let me know about it leaving some comments: the fuel that powers me is my own passion for music, but it's always nice to learn that somebody out there is downloading, listening and enjoying the music presented on these pages.

Now, on to The Wandy Five and... Merry Christmas!!!

The Candyman

Here's the track list for this 7" EP:

01. Rudolph the Red-Nose Reindeer (2:45)
02. White Christmas (2:58)
03. Mary's Boy Child (2:05)
04. Silent Night (3:09)

All tracks were remastered from the original vinyl release in December 2016 and are available in FLAC lossless format, along with scans of the complete original artwork.

As usual, please have a look at the comments for the download link.

"Christmas A'Go-Go" was released by Roxy Records sometimes in late 1966, probably - and aptly - just around Christmas time. Cleverly, the back cover could be customized by hand to include the names of both the donor and the recipient, making it a perfect gift for young people.

Given the relative ease with which the record can be obtained on the second-hand market, I understand that probably many copies were sold during those pre-Christmas days, exactly fifty years ago.

At that time, the A Go-Go craze had taken hold in Singapore and every band tried to incorporate elements of such style (...also known as Hala-hala, a Cha-Cha-descended style...) in their music. Moreover, plenty of records featured that magic word on the cover, usually in big fonts, cashing on the trend.

So, an A Go-Go Christmas record in Singapore in 1966? Good move, Roxy!

The four Christmas carols included on this release are so well-known that it wouldn't make much sense getting into them as usual. Let's spend a few words about The Wandy Five instead.

According to the information I found on the Internet, it looks like The Wandy Five were a group of Malay local musicians active during the '60s in Singapore. The group was founded by Hj Wandly Yazid as one of the many projects of a versatile mind.

Wandly Yazid (1925-2005), born in Sumatra, was a renowned musician, composer and arranger. He was educated in Dutch primary and high schools, and graduated from the Teachers Training Institute, West Sumatra.

At seventeen he began to study music. He learnt to play the violin and the clarinet, as well as water-colour and oil painting in Bukittinggi, Sumatra.

In 1947, passion for music and the arts brought him to Singapore, a vibrant city where the film industry was thriving. Here, he studied the piano and also learnt to play the saxophone.

Soon he formed his own orchestras, Wandy Yazid Orchestra and Megawati Orchestra, and composed music for films by the Nusantara Film Company and Malayan Film Unit. In 1956 he became member of the Singapore Symphony Orchestra as a violinist.

Wandly Yazid

Wandly founded the Fajar Record Company in 1959, where he composed and arranged songs, and accompanied singers like Julie Sudiro, Orchid Abdullah and Rosiah Chik. He also trained various young singers who later became very successful, including Ernie Djohan and Rafeah Buang.

In 1964, at the age of thirty-nine, he was appointed Music Director of Cathay-Keris Films. He composed and arranged songs and background music for many classic films, and is best remembered for "Gurindam Jiwa", the lovely theme song for a romantic film of the same name. Originally performed by R. Ismail and Rafeah Buang, with lyrics by Hamzah Hussein, the song is now an evergreen favourite.

During the late '60s, he left a few more traces of his work with The Wandy Five accompaning singers Rahim Ali and A. Amin on a couple of singles.

In the '70s, he joined the Singapore Broadcasting Orchestra as a violinist, performed with his own group, Café Vienna Trio, and also gave solo piano performances at major hotel establishments. Retired in 1992, he continued to perform and gave lessons to young music students.

The following clips offer a complete preview of the remastered EP, enjoy!





More information about Wandly Yazid and The Wandy Five is available here:




If you have any other useful information about this post or if you spot any dead links, please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

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