There's a place where love can't find you
you'll be safe from the warmth of June
You'll never see the spark
that's hidden in your heart
on the dark side of the Moon
There's a place where a kiss won't harm you
where a love song is just a mellow tune
You'll never feel the flame
that only brought you pain
on the dark side of the Moon
Yes, you have to walk alone
face the hard days on your own
A bright glow of love
it will never bother you
there's only shades of blue
There's a place where a dream can't find you
a place where roses never bloom
You'll never see the smile
that made it all worthwhile
on the dark side of the Moon
You'll never see the spark
that was hidden in your heart
on the dark side of the Moon
[From the lyrics of "
Dark Side of the Moon"]
It's time to pay homage to the musical output of
Nichelle Nichols, so let's start from this lovely 7" EP entitled "
Dark Side of the Moon" released by
Americana Records in 1974, which at the time of writing has never been re-issued on CD.
As everybody knows, for nearly thirty years
Nichelle Nichols has been part of the
Star Trek mythos. As
Lieutenant Uhura, communications officer of the Starship
Enterprise, she was the first African-American to have a major continuing role on television.
While I was gathering information to compile this post I decided to focus on
Nichelle Nichols' career outside of
Star Trek. Just as I was about to connect, compare and summarize various sources, I came across a very interesting article which presents many of the specific characteristics that I wanted to give to my own writing, enriched by many anecdotes taken from
Nichelle Nichols's autobiography. The author of the original post was kind enough to let me republish it here below in a slightly edited form, thank you
Doug!
Nichelle Nichols as she appears in the inner gatefold of the "Dark Side of the Moon" EP
Outside the Uhura Sphere: Nichelle Nichols' career outside of Star Trek [original page is available
here]
One major problem that faces actors today is the obstacle of rising from obscurity to a level where they are recognized. Once there, actors then face the problem of disassociating themselves from their most famous role or roles in order to move along with their careers.
Nichelle Nichols appears to have faced neither of these problems. She had already embarked upon an impressive career in dancing, singing, and theatrical acting before she took her most famous role on
Star Trek.
During and after her "
tour of duty" on
Star Trek, she continued to broaden her professional career into composing and consciousness-raising with the
National Aeronautics and
Space Administration.
Nichelle Nichols had a truly impressive career outside of her role as
Lieutenant Uhura on
Star Trek.
At the age of thirteen,
Nichols was first exposed to her first love in performing: ballet. Her father took her to the
Sammy Dyer School of Dancing, convinced by her constant performing around their
Robbins,
Illinois, home that she had inimitable talent.
While at the School,
Nichols studied with
Virginia Reilly, a preeminent dancer and instructor of the day.
Nichols found that she was well inclined toward the art of ballet, and quickly ascended to the top of her class.
However, the only other student in Chicago that could rival
Nichols' skill,
Frances Taylor, soon became a professional opponent. Quite an enmity soon developed between the two young girls that would last for many years.
Throughout
Nichelle's dance career, she was forced to compete for several positions against the recurrent
Taylor, including a spot in the exclusive
Katherine Dunham dance troupe.
Nichelle Nichols at fifteen, appearing in "The College Inn Story" show, portraying one of Katherine Dunham's dancers, circa 1947-48
Despite this inconvenience,
Nichols continued to progress, and was offered engagements at modern dance performances, including the
College Inn Hotel, where she was praised by the distinguished French dancer
Josephine Baker and, more importantly,
Duke Ellington.
Ellington's comments made the strongest impression on
Nichols of any of her experiences at the
College Inn. Her encounter with
Ellington was to lead to a concert tour with his band, in the future.
While studying with
Virginia Reilly,
Nichols met
Foster Johnson, a talented, if a bit self-absorbed, young man.
Johnson was fifteen years older than
Nichols at the time, but they fell in love at their first kiss, and all of her parents objections didn't stop her from marrying him in 1951, just after her eighteenth birthday.
While she was performing at the
College Inn Hotel,
Nichols found it necessary to keep in practice while staying in town, so she joined
Carmencita Romero's dance studio, where
Afro-Cuban dance was stressed.
As seemed to be her habit,
Nichols quickly progresses to the top of her class, and from that point on in her dancing career,
Nichols' dance would be influenced by
Afro-Cuban mentality and its raw emotion. Truly,
Nichelle Nichols dancing career was the envy of many. Her talent provided a springboard on to a star-filled career in show business.
Nichelle Nichols with husband Foster Johnson, while touring with Duke Ellington, 1951
Nichelle's first experience in true show business was with
Duke Ellington, whom she had met at the
College Inn Hotel. After marrying
Foster Johnson,
Nichols and he had gone on a song-and-dance tour through
Ohio and
Pennsylvania. When they returned home,
Nichelle was contacted by
Duke Ellington's public relations agent and told to meet
Ellington at the
Palmer House Hotel in
Chicago for an important meeting.
«
I went alone to the Palmer House Hotel, where I was escorted to the Duke's private suite. “I've never forgotten seeing you two years ago in the College Inn show,” he said warmly. “I have composed a new musical suite entitled ‘Monologue Duet and Threesome.' The dancers who have been interpreting my Monologue segment are leaving the tour. Would you be interested in choreographing and performing that dance for me?»
Needless to say,
Nichelle was utterly blown away by his proposal. She and
Foster took
Ellington's dance on tour, where it was a hit all over the
Midwest. However, by this time,
Nichols' pregnancy was beginning to show and the morning sickness was setting in, so she had decided to go home to her mother.
Then,
Foster dropped the bombshell: he was leaving her for twelve weeks of engagements in
Montreal.
Nichelle had known this was coming, and soon after the birth of her only child,
Kyle, she filed for divorce from
Foster.
Nichelle Nichols as a Balinesian queen during the filming of 'Porgy and Bess', 1959
She also, however, got on with her career. As fame-filled as her experience with
Duke Ellington was, her first big break as a solo song-and-dance star is considered to have come at a
Milwaukee night club owned and operated by a rising
Midwest Mafia don named
Frankie Balistrieri.
Although
Nichelle can't remember the name of the club, she remembers the uncomfortable atmosphere she experienced while working there. For example:
«
When a male singer tried to seduce me, I gave him the brush-off and sought the safety of a friendly female singer of the show, only to find out that she was a lesbian. Not only that, one of the chorus girls was sweet on her and, mistaking my intentions, threatened to kill me. It was just awful.»
The trouble didn't end with bad cast relations. The night club in which she was performing used to be a
strip club, and prostitution and
B-drinking were frequently practiced (
B-drinking was an old practice where the strippers mixed with the audience to coax male customers into running up a large bar tab.).
Nichols, who had assumed that since the club had been remodeled, it had been placed under new management, was totally naive to these underhanded practices. However, this was not the case. As one former stripper explained, «
Leopards don't change their spots…They just change their decor.»
So when first
Louie, the bartender and quasi-pimp, then
Mr. Balistrieri told her what her "
job" was supposed to entail,
Nichelle knew that she had to get out. It took several weeks of pleading and lying to "
Mr. B" before she was finally released to go to
Minneapolis.
Nichelle Nichols, publicity photo, circa late '50s-early '60s
Some years later,
Nichelle's booking agent booked her at a Canadian night club. After she got there, she realized that she had been booked at a "
smoker"– a "
men-only private function." She was respectfully and cordially received by the audience, but as she was being driven home by an important friend of the event's sponsor, he drove her unexpectedly to a cabin in the woods, where he attempted to rape her.
When
Nichols forcefully resisted his efforts, he left her there until dawn when the man's law partner showed up and took her to his home, where she slept, then fled to the police. Since the man, whom
Nichols prefers not to name, was such an important figure in his community, most people did not believe her story, but the two
Mountie detectives sent by the
Crown to investigate her case found her story to be valid. The court found
Nichelle Nichols' assailant guilty of attempted rape, violent assault, and illegal detention.
As soon as the trial ended,
Nichols resolved to put the incident behind her, and went on to open for several prestigious night clubs, such as the
Blue Angel in
New York, and was offered a part in
Pearl Bailey's traveling show, but was put off by
Pearl's arrogance and hypocrisy, and turned it down.
Nichelle Nichols as she appeared during her engagements at New York City's clubs 'The Blue Angel" and the "Bon Soir" in the early '60s
The art for which
Nichelle Nichols was to become most famous is acting. Her earliest experience in professional drama was in the theater, which
Nichols always held as a favorite.
Nichols was cast in the
Ebony Showcase Theatre's performance of "
Nicodemus" and
Edna Stewart's "
Carnival Island".
While working on the very well-received play, she met
Frank Silvera, with whom she had a very loving relationship for six years. Together they produced
James Baldwin's semi-autobiographical drama, "
The Amen Corner". In it, they managed to cast such stars as
Juanita Moore,
Maidie Norman,
Isabel Sanford, and
Beah Richards.
Although the play was hailed by critics and audiences alike,
Baldwin, the playwright, hated the production, found it entirely miscast, and demanded its closure, but owing to
Nichelle's reasoning, he allowed the play to continue onto
Broadway, sans
Nichols, who had fallen out of love with
Frank, and thought it best to move on.
Since then,
Nichols has played in productions like the touring
Broadway hit "
Horowitz and Mrs. Washington" and was given the honor of being assigned a standby to
Diahann Carroll in
Richard Rogers' musical "
No Strings".
Nichelle Nichols and Burgess Meredith in "Kicks and Company", 1961
Her break came in an appearance in "
Kicks and Company",
Oscar Brown's highly touted, but ill-fated 1961 musical. In a thinly veiled satire of
Playboy magazine, she played
Hazel Sharpe, a voluptuous campus queen who was being tempted by the devil and
Orgy Magazine to become "
Orgy Maiden of the Month".
Although the play closed after its brief try-out in
Chicago, in an ironic twist, she attracted the attention of
Hugh Hefner, the publisher of
Playboy, who was so impressed with her appearance that he booked her immediately at his
Chicago Playboy Club.
Nichols later returned to theater in 1990 when she performed her one-woman show called "
Reflections", in which she portrayed a series of great Black women performers like
Josephine Baker,
Ella Fitzgerald,
Billie Holiday,
Sarah Vaughan and many more. More recently, she starred as
Mother Superior in a production of "
Nunsense II" in
Denver.
Nichelle Nichols with Don Marshall in her first television role on Gene Roddenberry's 'The Lieutenant', circa 1963-64
Nichols television career brought her even more fame. She appeared in a few episodes of multiple hit show, such as
The DA,
Ironside and
Tarzan, and her first
Gene Roddenberry show,
The Lieutenant, which led to her role on
Star Trek.
In January 1967,
Nichols was featured on the cover of
Ebony magazine, and had two feature articles in the publication in five years
Nichols has also performed the voices on several popular animated series, such as
Spider Man,
Batman,
Futurama,
Gargoyles and
The Simpsons. In 1992 she hosted thirteen episodes of a
SciFi Channel documentary series entitled "
Inside Space".
Alongside her dynamic performances in the
Star Trek movies,
Nichelle has made several appearances on the big screen, including titles such as "
Porgy and Bess" (1959), "
Mister Buddwing" (1966), "
Doctor, You've Got to be Kidding" (1967), "
Truck Turner" (1974) - her first role after
Star Trek -, "
The Adventures of Captain Zoom in Outer Space" (1985) "
The Supernaturals" (1986), "
Snow Dog" (2002) and "
Lady Magdalene's" (2008).
During the '90s,
Nichols wrote her autobiography "
Beyond Uhura: Star Trek and other memories" and a science-fiction novel entitled "
Saturn's Child", which was followed by "
Saturna's Quest" in 2002.
Nichelle Nichols as Lieutenant Nyota Uhura, circa 1966-67
Needless to say, throughout her acting career,
Nichelle's talent has brought her many accolades. These include her two-time nomination for the
Sarah Siddons Award for
Best Actress,
Celebrity of the Week at
Walt Disney World in 1991, and her star on the
Hollywood Walk of Fame, awarded on January 9, 1992. She was also the first African American to place her hands in the cement in front of
Mann's Chinese theatre.
Throughout her career,
Nichols found it necessary to raise the awareness of the nation regarding issues that seemed prevalent to her at the time. These included racism, the space program, and impoverished families.
Nichelle personally encountered racism while attempting to books a room at a hotel in
Salt Lake City, Utah. It struck a chord with her that in a northern,
Morman town in the 1970s, race problems would still exist.
Her commitment to the ending of racism in America was one of the determining factors in her assuming the role of
Lieutenant Uhura on
Star Trek. It was a powerful statement, seeing an African woman on the bridge of the prestigious Starship
Enterprise.
Nichelle Nichols at home, sometimes in the late '60s
Her presence, as
George Takei relates, helped to solidify the Starship
Enterprise as "
a metaphor for starship Earth." However, after one season on the show, she was still the only cast member without a contract and continued to receive prejudicial flak from studio staff, and along with the fact that the
Uhura character was remaining largely unfulfilled,
Nichelle decided to leave the series.
That very weekend, she attended an
NAACP fund-raiser. There she was confronted by a very special
Star Trek fan:
Dr. Martin Luther King. When she revealed to him her intent to leave the show,
Dr. King virtually scolded her.
«
You cannot…You have opened a door that must not be allowed to close. I'm sure you have taken a lot of grief, but you changed the face of television forever. You have created a character of dignity and grace and beauty and intelligence. Don't you see that you're not just a role model for little black children? You're more important for people who don't look like us. For the first time, the world sees us as we should be seen, as equals, as intelligent people–as we should be... Remember, you are not important there in spite of your color. You are important there because of your color.»
Needless to say, she was deeply moved by
Dr. King's remarks. That Monday, she went to
Gene Roddenberry and said, "
If you still want me, I'll stay." After relating the incident with
Dr. King to
Gene,
he remarked, "
God bless that man. At least someone sees what I'm trying to achieve."
Nichelle Nichols soon after Star Trek's cancellation, circa 1970
Since that time
Nichelle Nichols' courage in the face of racism has inspired African American icons such as popular comedian
Whoopi Goldberg and the first African American women in space,
Mae Jamison.
Jamison has more for which to thank
Nichelle Nichols than inspiration. In early 1977,
Nichelle spear-headed a hugely successful drive to bring women and minorities in to the
United States Space Program. It was a speech by the then current
NASA director of science,
Dr. Jesco von Puttkamer that made
Nichelle realize that the
American Space program, which is intended to represent out country and our planet, was made up entirely of white males.
Nichols used her position on the
Board of Governors of the
National Space Society to sway executive opinion that a program to reach out to women and minorities could be feasible and successful. Her private group of performing women, called
Women in Motion, Inc. joined forces with
NASA to add impetus to the drive. When all was said and done, over twenty-four thousand inquiries were made of
NASA regarding the thirty to forty positions available.
Nichelle Nichols receives her star on the Hollywood Walk of fame, early 1992
Another impressive accomplishment by
Nichols benefiting
NASA was a twenty-minute educational musical entitled "
Space: What's In It for Me?". This film, written by
Nichols, starred herself as
Lieutenant Uhura, who shows a young student around the
Smithsonian Air and Space Museum. Due to all her contributions,
NASA presented
Nichelle Nichols with the
NASA Public Service Award in the fall of 1984.
Another arena in which
Nichols is involved is indigent families. To benefit the
Family Assistance Program, she, and other celebrities, signed comic books and other memorabilia for auction to raise funds for the education of needy children.
Nichols and other members of
Women in Motion, Inc. started a charitable organization called
Kwanza that raises funds to provide necessities to disadvantaged families. Most recently,
Nichols was a guest celebrity at the
Maury Wills Golf Classic to benefit
Today's Fresh Start, a program to make education more accessible to those in need. She has also given cabaret performances to benefit
Parkinson's Disease research.
Nichelle's contributions to society have benefited all aspects of American society.
Nichelle Nichols' career and her contributions to
Americana are incomparable. She has broken the mold holding most actors and actresses in a static holding pattern that binds them to their most famous roles. If more performing artists would emulate
Nichols, the average dramatic quality put out by the media would be infinitely improved, and we would all live long and prosper.
Dark Side of the Moon, outer gatefold - The same picture was also used for a promotional poster
Dark Side of the Moon, inner gatefold
Here's the track list for this 7" EP:
01.
Dark Side of the Moon (3:20)
02.
It's Been On My Mind (4:07)
03.
Starry-Eyed (3:06)
04.
Let's Trip (3:57)
All tracks were remastered from vinyl in December 2013 and are available in
FLAC lossless format or
high-quality 320 Kbps MP3 files, both formats include scans of the original item in PDF format.
Please have a look at the comments for the download links.
"
Dark Side of the Moon" was published by
Americana Records (...which mysteriously never released any other record...) in 1974. The EP came in a gatefold sleeve which offered a gorgeous and somehow
psychedelic picture of
Nichelle on the outside, and an additional more
down-to-earth image accompanied by credits and a message "
to all trekkies everywhere" on the inside. Here's a transcription of the message:
Personal Log:
Lt. Uhura, Communications Officer:
Starship Enterprise, NCC 1701
Stardate 7204.16
To all Trekkies everywhere,
my last five year mission for Star Fleet Command on the Enterprise as Communications Officer has been the most gratifying period of my life. Having travelled so far in outer space makes one feel so much closer to the whole cosmic spectrum of life knowing that our mission, charting galaxies and identifying other life forms, has had a positive impact on all Societies.
Thus it is my hope these melodies and lyrics contained herein, gathered from Regas II to far beyond Antares, will bring to you the same measure of joy and pleasure as they have given to me.
End of report.
Uhura out
Nichelle Nichols and her second husband Duke Mondy rehearsing at home, 1969
Side A opens with the title-track, a song written by
Nichelle' second husband
Duke Mondy, who is credited as "
Duke Monday". With some
Moog effects layered in for that spacey feeling, it is a pretty good example of the kind of
Exotica-flavored Lounge Croon Soul that the EP contains. The lyrics poetically describe the coldness and aridity of the hidden side of our only satellite.
"
It's Been On My Mind" was written again by
Mondy along with
Nichelle Nichols. The song starts with a spoken introduction before exploding in a rich
Soul number with effective backing vocals appearing during the refrain and cool horns scattered here and there.
On
Side B we find "
Starry-Eyed", another
spacey number written by producer
Eddie Singleton along with one
Dorothy Goodman who I wasn't able to trace back. The song offers more synthesizers than any other on the EP, along with elegant touches of
jazzy guitars in the middle section and inspired vocals.
The frenetic "
Let's Trip", once again written by
Eddie Singleton, ends the record with an agitated vocal performace where
Nichelle sighs, wheezes, hints, shouts, laughs and moans on the top - or better,
over the top - of a repetitive walking bassline, chorus and complex full-instrumentation arrangement.
Here's the credits of "
Dark Side of the Moon" as they appear on the inner gatefold:
Producer:
Eddie Singleton
Arranger:
Alonzo Levister
Engineer:
Grover Helsley
Art Direction:
Pin Stripe Studios
Photography:
Harvey Stewart
The following videos offer a preview of the remastered EP, for this purpose I chose the two tracks on Side A: "
Dark Side of the Moon" and "
It's Been On My Mind", enjoy!
More entries about
Nichelle Nichols will hopefully appear on this blog in the next months, in the accompaning text I'll try to focus on her discography and musical career which willfully have not been deeply explored in the current post.
More information about
Nichelle Nichols is available here:
http://en.wikipedia.org/wiki/Nichelle_Nichols
http://www.encyclopedia.com/topic/Nichelle_Nichols.aspx#1
http://dsubnet0.wordpress.com/nichelle-nichols-who-else-was-a-10th-grade-nerd-supposed-to-write-about/
http://neptsdepths.blogspot.com/2012/12/change-in-nichols.html
http://vibrant-oxymoron.blogspot.com/2012/04/nichelle-nichols-uhura-and-beyond.html
http://en.memory-alpha.org/wiki/Nichelle_Nichols
http://www.geeksofdoom.com/2012/09/08/interview-star-treks-nichelle-nichols-talks-about-her-famous-kiss-with-captain-kirk
http://blogs.wsj.com/speakeasy/2011/01/17/star-treks-nichelle-nichols-on-how-martin-luther-king-king-jr-changed-her-life/
http://www.dodlive.mil/index.php/2012/02/going-where-no-african-american-had-gone-before/
http://nubiansinsyfy.blogspot.com/2013/09/image-is-important-for-us-to-see.html
http://blogs.smithsonianmag.com/aroundthemall/2011/06/q-a-nichelle-nichols-aka-lt-uhura-and-nasa/
http://mystartrekscrapbook.blogspot.com/search/label/Nichelle%20Nichols
http://www.gordsellar.com/2013/06/18/jazzsf-intersection-nichelle-nichols-and-duke-ellington/
http://on.aol.com/video/nichelle-nichols--performing-with-duke-ellington-517412473
http://my-retrospace.blogspot.com/2009/09/foxy-ladies-5-nichelle-nichols.html
http://www.allmusic.com/artist/nichelle-nichols-mn0000335082/biography
http://sarcasticcompanion.blogspot.com/2013/07/nichelle-nichols-out-of-this-world.html
http://waxidermy.com/nichelle-nichols-dark-side-of-the-moon-beyond-antares/
http://abandonedandheartbroke.blogspot.com/2013/05/star-trek-musical.html
http://articles.latimes.com/1990-02-02/entertainment/ca-1008_1_nichelle-nichols
If you have any other useful information about
Nichelle Nichols and "
Dark Side of the Moon" - especially corrections and improvements to this post - or if you spot any dead links, just get in touch with me at
stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!
