Showing posts with label Chanson. Show all posts
Showing posts with label Chanson. Show all posts

Wednesday, 27 February 2019

ROBERTO BRIVIO "SALVE EROI DELLA LUNA / GLASS" (1969)



Best known as a member of I Gufi (The Owls) - an Italian musical and comedy ensamble - actor, singer, comedian and writer Roberto Brivio was born in Milan in February 1938.

Son of a man from the Brianza area and a Friulian woman, he dedicated himself to theatre after graduating with famous actress Esperia Sperani, from the Accademia dei Filodrammatici, in 1959.

At the beginning of the '60s he joined the Compagnia dei ragazzi dell'Angelicum and started producing a series of 7" singles for children and prose LPs for La Voce del Padrone and Ricordi.

Among these we'd like to remember at least his Italian adaption of Nigel Kneale's "The Quatermass Xperiment" (L'astronave del Dottor Quatermass), which will hopefully be the subject of another post here on Stereo Candies in the future.

In 1962 he opened the Teatro del Corso in Milan, which he successfully managed for a few years.

Around the same time he started writing for the Italian TV and radio, and also produced his first comedy / chanson records for the Columbia label under the alias Roberto Bi. These included some early examples of his gallows humor, which he will expand later on during his experience with I Gufi.



In 1964, the meeting with Lino Patruno and Nanni Svampa, later joined by Gianni Magni, gave rise to the aforementioned musical group. In those years, I Gufi helped to create a form of musical cabaret in Italy, often using the Milanese dialect in their productions.

Their debut album, entitled "Milano canta" (Milan Sings), was released by Columbia in February 1965, and was the first in an astounding series of twelve successful LPs which were produced by the group in just four years.

During his tenure with I Gufi, Brivio was credited for writing about 50% of the band's repertoire in collaboration with his musical partner Ario Albertarelli.

Until their disbandment in 1969, the group regularly performed in theatres throughout the country and also arrived on television, managing to pass through the tight stranglehold of censorship thanks to their use of dialect.

Shortly after, along with Augusto Mazzotti, formerly one of his classmates at the Accademia dei Filodrammatici, Brivio debuted at the Teatro Nuovo in Milan with a new play entitled "Fantascienza" (Science Fiction).

Following this effort, a selections of songs probably excerpted from the play were collected on the first Brivio solo album, the aptly entitled "13 Canzoni di Fantascienza" (13 Science Fiction Songs). The album was released by Columbia in early summer 1969 and will be a succulent subject for another post quite soon.

During the same year, a 7" single entitled "Salve eroi della Luna" (Hello Heroes of the Moon) b/w "Glass" was also released, and is covered in this post.


Roberto Brivio on stage in a recent picture


Here's the track list for this 7" single:

01. Salve eroi della Luna (3:00)
02. Glass (3:28)

All tracks were remastered from the original vinyl in February 2019 and are available in FLAC lossless format, along with scans of the original item.

Please have a look at the comments for the download link.



"Salve eroi della Luna / Glass" was released by Columbia / EMI in Italy with cat. number SCMQ 7155 / 3C 006-17196 M sometime in 1969. The matrix numbers in the dead wax area are marked "2-10-69", so I easily guess that the single was published towards the end of the year.

The records comes in a cover that superimpose a picture of Buzz Aldrin, Neil Alden Armstrong and Michael Collins - the crew of the successful Apollo 11 mission that brought the first men on the Moon in July 1969 - on a drawing by cartoonist Ferruccio Alessandri that originally adorned the cover of "13 Canzoni di Fantascienza", the album released by Brivio a few months later. On the back we don't find much of interest, just a small coupon that can be cut out to be used inside juke-boxes.



As both the cover and title imply, "Salve eroi della Luna" (Hello Heroes of the Moon) is a ballad that solemnly celebrates the conquest of the Moon. The song was written by Brivio along with his long-time collaborator Ario Albertarelli and is a tribute to the "...fearless, brave, immortal, generous..." men who accomplished such extraordinary feat.

On Side B we find "Glass", a more hilarious track that had already appeared months earlier on Brivio's debut album. This is another Brivio-Albertarelli composition that focuses on the effects of lack of gravity during space flight, comparing them to the signs and symptoms of drunkenness. The lyrics make an elegant and effective use of all sort of onomatopoeias and Brivio's prowess as an actor clearly emerges. The last line "Non c'è serietà senza gravità." (There is no seriousness without gravity.) effectively summarises the concept expressed in the song.


The following clips offer a complete preview of the remastered single, enjoy!






More information about Roberto Brivio and I Gufi is available here:

https://it.wikipedia.org/wiki/Roberto_Brivio

https://it.wikiquote.org/wiki/Roberto_Brivio

http://robertobrivio.blogspot.com/

https://www.facebook.com/robertobrivio17

https://www.discogs.com/artist/1437210-Roberto-Brivio

https://www.lettera43.it/it/articoli/cultura-e-spettacolo/2015/12/25/roberto-brivio-vi-racconto-cosa-vuol-dire-essere-gufi/158495/

https://www.massaiemoderne.com/1967-linsalata-del-vampiro-roberto-brivio/

https://www.avvenire.it/agora/pagine/brivio-

https://www.youtube.com/watch?v=OQjy-0xcqbk

https://www.youtube.com/watch?v=VJ_ZZwMP4KA

https://en.wikipedia.org/wiki/I_Gufi

https://it.wikipedia.org/wiki/I_Gufi

https://it.wikiquote.org/wiki/I_Gufi

https://www.discogs.com/artist/1324498-I-Gufi

https://www.youtube.com/user/igufi/videos

http://verso-la-stratosfera.blogspot.com/2016/11/i-gufi.html


If you have any other useful information about Roberto Brivio and "Salve eroi della Luna / Glass", or if you spot any dead links, please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

Thursday, 15 January 2015

STEREO TOTAL "ALLO... J'ECOUTE..." (1995)

Je suis venu te dire que je m'en vais
Et tes larmes n'y pourront rien changer
Comme dit si bien Verlaine 'au vent mauvais'
Je suis venu te dire que je m'en vais
Tu te souviens des jours anciens et tu pleures
Tu suffoques, tu blêmis à présent qu'a sonné l'heure
Des adieux à jamais, je suis au regret
De te dire que je m'en vais, oui je t'aimais, oui mais
Je suis venu te dire que je m'en vais
Et tes larmes n'y pourront rien changer
Comm'dit si bien Verlaine 'au vent mauvais'
Je suis venu te dire ue je m'en vais
Tu te souviens des jours heureux et tu pleures
Tu sanglotes, tu gémis à présent qu'a sonné l'heure
Des adieux a jamais, je suis au regret
De te dire que je m'en vais, car tu m'en as trop fait.


[From "Je suis venu te dire que je m'en vais" by Serge Gainsbourg"]



During winter 1992-93, Françoise Cactus and Brezel Göring were living in the same neighborhood in Berlin and the legend has it that they casually met while shopping in a bakery in Adalbertstraße.

Françoise was about to close her experience with the French girl-garage-punk-R’n'R-Band Lolitas (...they released six albums in Germany and France and toured all over Europe and America, for more information about them have a look here...) and Brezel was keeping himself busy with an Experimental-noise-copyright-ignoring-tapeloop-soundeffects project called Sigmund Freud Experience (...he released three vinyl records under this guise, 100 copies each...).

In 1993 they started playing together. Their first recording was a ten minute cooking-recipe, in which all ingredients had sexual connotations. The recording is sadly lost... In 1994 they started rehearsaling and recording in Hamburg at the Alien Sound Studio of Peter Stein, and began to perform concerts in small venues in Berlin and Germany.

In those early days, the band logo consisted of two tits that were originally painted on a mix-tape Françoise made for Brezel entitled "Stereo Total", and I easily guess this is how the band's name was born... The logo was later shown on the backside of their first album "Oh Ah"; here you can have a look at the inlay-card of the CD version.

At this time the line-up included Françoise (vocals and drums), Brezel (vocals, guitar, organ and synthesizers) and Lesley Campell from Scotland (distorted guitar). With their unusual mix of music influences and languages, it wasn't easy then to find a label... The band used to play French Chanson, Disco, Rockabilly and Garage in a very minimal, simplified, essential way, often with self-built guitars and cheap electronics; lyrics were both written in French and German.

At last, in 1995 Desert Records released their first 7" EP entitled "Allo... J'ecoute...", which was a strong link to Lolitas, and - as you already guessed - is the subject of this post...




Here's the track list for this release:

01. Dactylo-Rock (Sekretärinnen-Rock) (2:35)
02. Avec ma valise (2:17)
03. Es ist kein traum (1:00)
04. Je suis venu te dire que je m'en vais (2:47)

All tracks were remastered in January 2015 and are available in FLAC lossless format or high-quality 320 Kbps MP3 files; both formats include scans of the complete original artwork.

Please have a look at the comments for the download links.



Side A opens with "Dactylo-Rock (Sekretärinnen-Rock)", a song with German lyrics that has its peculiarity in the use of a typewriter as rhythmic instrument. This song was later re-recorded and released on their debut album "Oh Ah" in late 1995. The next years it was also released as a CD-Single on Peace 95 and on a limited edition blue vinyl on Bungalow; both releases included many remixes by other German artists.

"Avec ma valise" was originally included on Lolitas' "Séries Américaines" released in 1987, and is a strong link to Françoise's previous musical activities. The sadness of the original number is lost, but the faster tempo and Brezel's crooning are interesting enough, and give new life to the song.

On Side B we find the very short and minimal "Es ist kein traum" sung by Françoise with an electric guitar accompaniment; sadly my close-to-zero knowledge of German doesn't allow me to go further than the title translation: "It Is Not a Dream".

The EP ends with a cover of Serge Gainsbourg's classic masterpiece "Je suis venu te dire que je m'en vais", which was originally included on its "Vu de l'extérieur" album released in 1973; you can listen to the original version here. Stereo Total later recorded a more electronic version of this song for their debut album "Oh Ah".



Here's the complete credits and personnel list as translated from the back sleeve of the EP:

Lesley Campbell: guitar
Françoise Cactus: drums and vocals
Brezel Göring: guitar and vocals

Alex Chilton: drums on "Je suis venu te dire que je m'en vais"
Coco: bass on "Je suis venu te dire que je m'en vais"

Recorded in Berlin by Coco, 1994.

"Je suis venu te dire que je m'en vais" recorded in New Orleans by Alex Chilton, 1993.

Mixed by Nils Peters.


Brezel Göring and Françoise Cactus, 1994

The following clips offers a preview of the remastered single, enjoy "Dactylo-Rock (Sekretärinnen-Rock)" and "Avec ma valise"!





As a bonus, have fun with the official videoclip for the re-recorded version of "Dactylo Rock"...



...and a playback of Serge Gainsbourg performing the original version of "Je suis venu te dire que je m'en vais", WOW!





More information about Stereo Total is available here:

http://stereototal.de

http://stereototal.stereototal.de

http://monokini.free.fr/index.html

http://www.discogs.com/artist/Stereo+Total

http://en.wikipedia.org/wiki/Stereo_Total

http://www.facebook.com/StereoTotal

http://www.myspace.com/stereototal

http://soundcloud.com/stereototal


If you have any other useful information about Stereo Total - especially corrections and improvements to this post - or if you spot any dead links, please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

Wednesday, 3 October 2012

THE SHEEP RECORDS STORY #6: STEREO TOTAL "COVER GIRL EP" (1998)



Sheep Records was a Swiss underground label specialized in Garage-Rock, Surf, Lounge and other Rock'n'Roll oddities. Run by Christian Müller from Zürich, along with friends Andi Frick and Andreas Egi, it was active from 1996 to 2004 and published about 30 releases, mostly on 7" vinyl singles.



In october 2006, after about two years of hiatus, all the contents of the now defunct Sheep Records website were deleted from the Internet, and replaced with a blank page announcing that "Der Kebab ist gegessen" ("The kebab is eaten"), a last goodbye and a reference to the label's cataloguing system that included the prefix "kebab" for vinyl releases and "gigot" for CD releases.



The sixth Sheep Records release was an exclusive 7" by Stereo Total, which at the time were beginning to experience international success via their CD/LP releases on German label Bungalow. The single was limited to 1.000 copies - 700 on black vinyl and 300 on green vinyl - and was released in May 1998.

Side A offers two covers: "Tintarella di luna" was one of the first huge hits by Italian female singer Mina in 1959, while "In / Out" was released as "Qui Est In, Qui Est Out" by Serge Gainsbourg in 1966.

Side B features a French rendition of The Beatles' "You Can Drive My Car" and one more track entitled "Carte postale". I'm not sure if the latter is a cover of some obscure French '60s tune or an original Stereo Total composition, but I would lean towards the second option.

Enjoy the originals here below courtesy of YouTube:








Here's the track list for this 7" single:

01. Tintarella di luna (2:37)
02. In/Out (2:18)
03. Tu peux conduire ma bagnole (2:28)
04. Carte postale (2:13)

All tracks were remastered from vinyl in October 2012 and are available in FLAC lossless format or high-quality 320 Kbps MP3 files, both formats include scans of the original item in PDF format. Please have a look at the comments for the download links.






Stereo Total? The best pop group in the world. They remind me of Shakespeare, Picasso and the 1960s. In certain times and places, the world of the royal court includes the energy of the people, formal experimentation embraces populist emotion, and the commercial reaches up to touch the sublime. Stereo Total fuse the dumb energy of pop culture with the elite salon fizz of high culture. Think of Lou Reed fusing his hack songwriting skills with the avant-gardism of Cale and Warhol, think of Joe Orton writing film scripts for the Beatles, think of the weird cleverness of shows like The Monkees and Batman, think (of course) of Gainsbourg melding left bank cabaret with the sounds of the latest anglo-saxon beat boom.

Stereo Total are a bottomless goldmine of clever ideas, populist yet unpretentious: songs about Satan’s house in London, France’s arterial roads, kleptomania. Françoise Cactus sounds forever young, hard and funny in her lyrics. Bretzel Göring has the genius of simplicity in his music, which revives lost pop tropes like gimmicky sampling, garagey guitar and crunchy distorted snare beats as if they were invented yesterday.

Sure, other bands sell more records with dull, formulaic lyrics and cliched, slick productions. Sure, other artists puzzle their audiences with ultra-minimalism and grey experimentalism. But they’re not as clever or funny as Stereo Total. Their attempts at commercialism and cool are sad in comparison, their lack of ideas and melodies glaringly obvious. Stereo Total – The Best Pop Group In The World – have nothing to declare but their genius.


["Stereo Total, The Best Pop Group In The World" by Momus, September 2001]


Stereo Total in an old East-Berlin swimming pool, 1998. Left to right: Françoise Cactus, San Reimo, Angie Reed and Brezel Göring.


More information about Sheep Records and Stereo Total is available here:

http://www.surfnroll.de/interviews/sheep/sheep.html

http://stereototal.de

http://stereototal.stereototal.de

http://monokini.free.fr/index.html

http://www.discogs.com/artist/Stereo+Total

http://en.wikipedia.org/wiki/Stereo_Total

http://www.facebook.com/StereoTotal

http://www.myspace.com/stereototal

http://soundcloud.com/stereototal


The Sheep Records story will continue in the next months. All your inputs are more than welcome, if you want to get in touch please write to stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

Related Posts Plugin for WordPress, Blogger...